Guido of Arezzo: between mistake And serendipity
Few ideas have endured and impacted both the history of Western music and the proposal of Guido de Arezzo in terms of musical notation, close to reaching a thousand years since its initial formulation. This paper contextualizes the contribution of the Arentine monk from a political perspective, with...
- Autores:
-
Castillo García, Francisco
- Tipo de recurso:
- Fecha de publicación:
- 2017
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/15251
- Acceso en línea:
- http://hdl.handle.net/10784/15251
- Palabra clave:
- Guido De Arezzo
Guido De Arezzo
- Rights
- License
- Copyright (c) 2017 Francisco Castillo García
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Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees2017-10-042019-12-09T15:42:38Z2017-10-042019-12-09T15:42:38Z2346-47472346-4879http://hdl.handle.net/10784/1525110.17230/ricercare.2017.7.2Few ideas have endured and impacted both the history of Western music and the proposal of Guido de Arezzo in terms of musical notation, close to reaching a thousand years since its initial formulation. This paper contextualizes the contribution of the Arentine monk from a political perspective, within the framework of early Christianity and his search for unitary dogmas. From there a critical observation is raised to their results, relating their intentions to the subsequent development of their ideas; When Guido points out, the characteristics of his system give a boost to the Pythagorean approach to music, which unknowingly configures many of the principles that operate in our musical life today. With that goal in mind, we analyze what Guido did not do and how those shortcomings opened up the possibility of disfiguring his initial purposes.Pocas ideas han perdurado e impactado tanto en la historia de la música occidental como la propuesta de Guido de Arezzo en materia de notación musical, cercana a cumplir mil años desde su formulación inicial. En este trabajo se contextualiza el aporte del monje arentino desde una perspectiva política, en el marco del cristianismo primitivo y su búsqueda de dogmas unitarios. Desde ahí se eleva una observación crítica a sus resultados, relacionando sus intenciones con el desarrollo posterior de sus ideas; al señalar Guido las características de su sistema da un impulso al enfoque pitagórico de la música, con lo cual configura sin saberlo muchas de los principios que operan en nuestra vida musical de hoy. Con ese objetivo en mente, se analiza lo que lo que Guido no hizo y cómo esas carencias abrieron la posibilidad de desfigurar sus propósitos inicialesapplication/pdfspaUniversidad EAFITRicercare; Vol 2017, No 7 (2017)http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/4852http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/4852Copyright (c) 2017 Francisco Castillo GarcíaAcceso abiertohttp://purl.org/coar/access_right/c_abf2instname:Universidad EAFITreponame:Repositorio Institucional Universidad EAFITRicercare; Vol 2017, No 7 (2017)Guido of Arezzo: between mistake And serendipityGuido de Arezzo: entre el error y la serendipiaarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Guido De ArezzoGuido De ArezzoCastillo García, FranciscoPontificie Universidad JaverianaRicercare201773142ricercareTHUMBNAILminaitura-ricercare_Mesa de trabajo 1[634].jpgminaitura-ricercare_Mesa de trabajo 1[634].jpgimage/jpeg182034https://repository.eafit.edu.co/bitstreams/8f61f591-3906-40a3-a9f5-35022d9c46d9/downloada0d2ce2dd3fc2bd2c5aa7702f779f7ceMD51ORIGINALdocument - 2020-03-08T130400.553.pdfdocument - 2020-03-08T130400.553.pdfTexto completo PDFapplication/pdf2136333https://repository.eafit.edu.co/bitstreams/856d958e-de8c-4e6e-b680-585fb88ce69e/downloada199dda0accb9d250cbf62a23ffdf4daMD52articulo - copia (3).htmlarticulo - copia (3).htmlTexto completo HTMLtext/html373https://repository.eafit.edu.co/bitstreams/33cc038b-e69e-45e9-aab6-6c6c769d2fc6/download5b173c12fb307e16d1045ca6331689b2MD5310784/15251oai:repository.eafit.edu.co:10784/152512020-03-08 13:05:37.898open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co |
dc.title.eng.fl_str_mv |
Guido of Arezzo: between mistake And serendipity |
dc.title.spa.fl_str_mv |
Guido de Arezzo: entre el error y la serendipia |
title |
Guido of Arezzo: between mistake And serendipity |
spellingShingle |
Guido of Arezzo: between mistake And serendipity Guido De Arezzo Guido De Arezzo |
title_short |
Guido of Arezzo: between mistake And serendipity |
title_full |
Guido of Arezzo: between mistake And serendipity |
title_fullStr |
Guido of Arezzo: between mistake And serendipity |
title_full_unstemmed |
Guido of Arezzo: between mistake And serendipity |
title_sort |
Guido of Arezzo: between mistake And serendipity |
dc.creator.fl_str_mv |
Castillo García, Francisco |
dc.contributor.author.spa.fl_str_mv |
Castillo García, Francisco |
dc.contributor.affiliation.spa.fl_str_mv |
Pontificie Universidad Javeriana |
dc.subject.keyword.eng.fl_str_mv |
Guido De Arezzo |
topic |
Guido De Arezzo Guido De Arezzo |
dc.subject.keyword.spa.fl_str_mv |
Guido De Arezzo |
description |
Few ideas have endured and impacted both the history of Western music and the proposal of Guido de Arezzo in terms of musical notation, close to reaching a thousand years since its initial formulation. This paper contextualizes the contribution of the Arentine monk from a political perspective, within the framework of early Christianity and his search for unitary dogmas. From there a critical observation is raised to their results, relating their intentions to the subsequent development of their ideas; When Guido points out, the characteristics of his system give a boost to the Pythagorean approach to music, which unknowingly configures many of the principles that operate in our musical life today. With that goal in mind, we analyze what Guido did not do and how those shortcomings opened up the possibility of disfiguring his initial purposes. |
publishDate |
2017 |
dc.date.issued.none.fl_str_mv |
2017-10-04 |
dc.date.available.none.fl_str_mv |
2019-12-09T15:42:38Z |
dc.date.accessioned.none.fl_str_mv |
2019-12-09T15:42:38Z |
dc.date.none.fl_str_mv |
2017-10-04 |
dc.type.eng.fl_str_mv |
article info:eu-repo/semantics/article publishedVersion info:eu-repo/semantics/publishedVersion |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/resource_type/c_2df8fbb1 |
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Artículo |
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publishedVersion |
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2346-4747 2346-4879 |
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http://hdl.handle.net/10784/15251 |
dc.identifier.doi.none.fl_str_mv |
10.17230/ricercare.2017.7.2 |
identifier_str_mv |
2346-4747 2346-4879 10.17230/ricercare.2017.7.2 |
url |
http://hdl.handle.net/10784/15251 |
dc.language.iso.none.fl_str_mv |
spa |
language |
spa |
dc.relation.ispartof.none.fl_str_mv |
Ricercare; Vol 2017, No 7 (2017) |
dc.relation.isversionof.none.fl_str_mv |
http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/4852 |
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http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/4852 |
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Copyright (c) 2017 Francisco Castillo García |
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Acceso abierto |
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Copyright (c) 2017 Francisco Castillo García Acceso abierto http://purl.org/coar/access_right/c_abf2 |
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application/pdf |
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Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees |
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Universidad EAFIT |
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instname:Universidad EAFIT reponame:Repositorio Institucional Universidad EAFIT |
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Ricercare; Vol 2017, No 7 (2017) |
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