The multifceted personality of Luis Antonio Calvo
The present work was originally a conference that the author read in one of the rooms of the Auditorium “Luis A. Calvo” of the Industrial University of Santander, during the celebration of one of the first Piano Festivals that have been held since 1984, in the Bucaramanga city. On that occasion the...
- Autores:
-
Gómez-Vignes, Mario
- Tipo de recurso:
- Fecha de publicación:
- 2013
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/15290
- Acceso en línea:
- http://hdl.handle.net/10784/15290
- Palabra clave:
- Luis A. Calvo
Romanticism
Room Pieces
Turn Of The Century (From The 19Th To The 20Th)
Piano
Characteristic Dances
Luis A. Calvo
Romanticismo
Piezas De Salón
Cambio De Siglo (Del Xix Al Xx)
Piano
Danzas Características
- Rights
- License
- Copyright (c) 2013 Mario Gómez-Vignes
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Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees2013-12-072019-12-09T15:46:32Z2013-12-072019-12-09T15:46:32Z2346-47472346-4879http://hdl.handle.net/10784/1529010.17230/ricercare.2014.1.4The present work was originally a conference that the author read in one of the rooms of the Auditorium “Luis A. Calvo” of the Industrial University of Santander, during the celebration of one of the first Piano Festivals that have been held since 1984, in the Bucaramanga city. On that occasion the author was seconded in the musical examples with the help of a pianist. What follows is a revised, revised and expunged version of the original content. With the help of examples of romantic, post-Romantic and nationalist composers from Europe and America, especially the so-called salon pieces, the author manages to demonstrate the true influences and compositional abilities operating in the piano pieces of Luis A. Calvo and how he is quite wrong Call it the Colombian Chopin.El presente trabajo fue originalmente una conferencia que el autor leyó en una de las salas del Auditorio “Luis A. Calvo” de la Universidad Industrial de Santander, durante la celebración de uno de los primeros Festivales de Piano que se celebran desde 1984, en la ciudad de Bucaramanga. En aquella ocasión el autor fue secundado en los ejemplos musicales con la ayuda de un pianista. Lo que sigue a continuación es una versión remozada, revisada y expurgada del contenido original. Con la ayuda de ejemplos de compositores románticos, postrománticos y nacionalistas de Europa y América, especialmente de las llamadas piezas de salón, el autor logra demostrar las verdaderas influencias y capacidades compositivas operantes en las piezas pianísticas de Luis A. Calvo y cómo es bastante errado llamarlo el Chopin colombiano.application/pdfspaUniversidad EAFITRicercare; Vol 2014, No 1 (2013)http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/2320http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/2320Copyright (c) 2013 Mario Gómez-VignesAcceso abiertohttp://purl.org/coar/access_right/c_abf2instname:Universidad EAFITreponame:Repositorio Institucional Universidad EAFITRicercare; Vol 2014, No 1 (2013)The multifceted personality of Luis Antonio CalvoLa polifacética personalidad musical de Luis Antonio Calvoarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Luis A. CalvoRomanticismRoom PiecesTurn Of The Century (From The 19Th To The 20Th)PianoCharacteristic DancesLuis A. CalvoRomanticismoPiezas De SalónCambio De Siglo (Del Xix Al Xx)PianoDanzas CaracterísticasGómez-Vignes, MarioUniversidad del ValleRicercare201415985ricercareTHUMBNAILminaitura-ricercare_Mesa de trabajo 1[634].jpgminaitura-ricercare_Mesa de trabajo 1[634].jpgimage/jpeg182034https://repository.eafit.edu.co/bitstreams/0aeb11ec-619e-481d-adfc-7a51160bdca5/downloada0d2ce2dd3fc2bd2c5aa7702f779f7ceMD51ORIGINAL2320-Article Text-8268-3-10-20150617.pdf2320-Article Text-8268-3-10-20150617.pdfTexto completo PDFapplication/pdf1292315https://repository.eafit.edu.co/bitstreams/503713f8-f17d-4c8b-a690-da2628d12a51/downloadd5f832ff7dde12a3fbc0e93876422182MD52articulo - copia (5).htmlarticulo - copia (5).htmlTexto completo HTMLtext/html373https://repository.eafit.edu.co/bitstreams/2f869a95-2c3a-4da1-99ec-103435a6a657/download53c267ba5d121b116ece2be4c830acdbMD5310784/15290oai:repository.eafit.edu.co:10784/152902020-03-11 14:16:19.743open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co |
| dc.title.eng.fl_str_mv |
The multifceted personality of Luis Antonio Calvo |
| dc.title.spa.fl_str_mv |
La polifacética personalidad musical de Luis Antonio Calvo |
| title |
The multifceted personality of Luis Antonio Calvo |
| spellingShingle |
The multifceted personality of Luis Antonio Calvo Luis A. Calvo Romanticism Room Pieces Turn Of The Century (From The 19Th To The 20Th) Piano Characteristic Dances Luis A. Calvo Romanticismo Piezas De Salón Cambio De Siglo (Del Xix Al Xx) Piano Danzas Características |
| title_short |
The multifceted personality of Luis Antonio Calvo |
| title_full |
The multifceted personality of Luis Antonio Calvo |
| title_fullStr |
The multifceted personality of Luis Antonio Calvo |
| title_full_unstemmed |
The multifceted personality of Luis Antonio Calvo |
| title_sort |
The multifceted personality of Luis Antonio Calvo |
| dc.creator.fl_str_mv |
Gómez-Vignes, Mario |
| dc.contributor.author.spa.fl_str_mv |
Gómez-Vignes, Mario |
| dc.contributor.affiliation.spa.fl_str_mv |
Universidad del Valle |
| dc.subject.keyword.eng.fl_str_mv |
Luis A. Calvo Romanticism Room Pieces Turn Of The Century (From The 19Th To The 20Th) Piano Characteristic Dances |
| topic |
Luis A. Calvo Romanticism Room Pieces Turn Of The Century (From The 19Th To The 20Th) Piano Characteristic Dances Luis A. Calvo Romanticismo Piezas De Salón Cambio De Siglo (Del Xix Al Xx) Piano Danzas Características |
| dc.subject.keyword.spa.fl_str_mv |
Luis A. Calvo Romanticismo Piezas De Salón Cambio De Siglo (Del Xix Al Xx) Piano Danzas Características |
| description |
The present work was originally a conference that the author read in one of the rooms of the Auditorium “Luis A. Calvo” of the Industrial University of Santander, during the celebration of one of the first Piano Festivals that have been held since 1984, in the Bucaramanga city. On that occasion the author was seconded in the musical examples with the help of a pianist. What follows is a revised, revised and expunged version of the original content. With the help of examples of romantic, post-Romantic and nationalist composers from Europe and America, especially the so-called salon pieces, the author manages to demonstrate the true influences and compositional abilities operating in the piano pieces of Luis A. Calvo and how he is quite wrong Call it the Colombian Chopin. |
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2013 |
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2013-12-07 |
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2019-12-09T15:46:32Z |
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2019-12-09T15:46:32Z |
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2013-12-07 |
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article info:eu-repo/semantics/article publishedVersion info:eu-repo/semantics/publishedVersion |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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Artículo |
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publishedVersion |
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2346-4747 2346-4879 |
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http://hdl.handle.net/10784/15290 |
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10.17230/ricercare.2014.1.4 |
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2346-4747 2346-4879 10.17230/ricercare.2014.1.4 |
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spa |
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spa |
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Ricercare; Vol 2014, No 1 (2013) |
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http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/2320 |
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Copyright (c) 2013 Mario Gómez-Vignes |
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Acceso abierto |
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Copyright (c) 2013 Mario Gómez-Vignes Acceso abierto http://purl.org/coar/access_right/c_abf2 |
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Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees |
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