Against Augmentation

This article originated from a conversation between John Richards and Tim Shaw. The conversation is a response to the journal’s theme, Augmented Instruments. Instead of focusing on just one instrument, the authors decided to talk more generally about their overall aesthetic and process of making per...

Full description

Autores:
Richards, John
Shaw, Tim
Tipo de recurso:
Fecha de publicación:
2022
Institución:
Universidad EAFIT
Repositorio:
Repositorio EAFIT
Idioma:
eng
OAI Identifier:
oai:repository.eafit.edu.co:10784/33444
Acceso en línea:
https://hdl.handle.net/10784/33444
Palabra clave:
musical instruments
performance ecology
performance-installation
DIY music
experimental electronics
instrumentos musicales
ecología de la performance
instalaciones-performance
música DIY
electrónica experimental
Rights
License
Copyright © 2022 John Richards, Tim Shaw
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spelling Universidad de NewcastleRichards, JohnShaw, Tim20222024-02-19T18:43:26Z20222024-02-19T18:43:26Z2346-48792346-4742https://hdl.handle.net/10784/3344410.17230/ricercare.2022.15.3This article originated from a conversation between John Richards and Tim Shaw. The conversation is a response to the journal’s theme, Augmented Instruments. Instead of focusing on just one instrument, the authors decided to talk more generally about their overall aesthetic and process of making performance-installations. The conversation touches on augmentation, DIY instruments, unpredictability, and offers the reader examples of their own self-made musical devices. The discussion concludes with three emergent themes: Reductionism, Raw Materials, and Fields of Influence. They hope this transcribed conversation provides a useful starting point for readers interested in Richards’ and Shaw’s experimental approach to electronic music and idiosyncratic instrument design.Este artículo nace desde una conversación entre Jon Richards y Tim Shaw como respuesta al tema de la revista: Instrumentos Aumentados. En vez de enfocarse sobre un solo instrumento, los autores decidieron hablar más en general sobre sus estéticas y formas de crear instalaciones-performance. La conversación toca los temas de la aumentación, los instrumentos DIY, la imprevisibilidad, y ofrece al lector ejemplos de aparatos musicales hechos por los autores mismos. La discusión concluye con tres temas emergentes: el Reduccionismo, las Materias Primas y los Campos de Influencia. Los autores esperan que la transcripción de su conversación proporcione un punto de partida útil para los lectores interesados en el acercamiento experimental de Richards y Shaw a la música electrónica y al diseño idiosincrático de los instrumentos.application/pdfUniversidad EAFIThttps://publicaciones.eafit.edu.co/index.php/ricercare/article/view/7385/5413https://publicaciones.eafit.edu.co/index.php/ricercare/article/view/7385/5413Copyright © 2022 John Richards, Tim ShawopenAccessLibre accesohttp://purl.org/coar/access_right/c_abf2Ricercare, No. 15 (2022)Against AugmentationEn contra de la aumentaciónarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1musical instrumentsperformance ecologyperformance-installationDIY musicexperimental electronicsinstrumentos musicalesecología de la performanceinstalaciones-performancemúsica DIYelectrónica experimentalRicercare155975engORIGINALcontra-el-aumento.pdfTexto completoapplication/pdf1299619https://repository.eafit.edu.co/bitstreams/1d79269f-8660-4d6c-aa83-a1577f2489d2/download6dfa23754f8e7fa26454bd92b50b591cMD51THUMBNAILminaitura-ricercare_Mesa de trabajo 1.jpgCarátulaimage/jpeg182034https://repository.eafit.edu.co/bitstreams/8f06a692-95e3-487c-8948-8fe3bb827328/downloada0d2ce2dd3fc2bd2c5aa7702f779f7ceMD5210784/33444oai:repository.eafit.edu.co:10784/334442024-02-21 10:56:17.0open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co
dc.title.eng.fl_str_mv Against Augmentation
dc.title.spa.fl_str_mv En contra de la aumentación
title Against Augmentation
spellingShingle Against Augmentation
musical instruments
performance ecology
performance-installation
DIY music
experimental electronics
instrumentos musicales
ecología de la performance
instalaciones-performance
música DIY
electrónica experimental
title_short Against Augmentation
title_full Against Augmentation
title_fullStr Against Augmentation
title_full_unstemmed Against Augmentation
title_sort Against Augmentation
dc.creator.fl_str_mv Richards, John
Shaw, Tim
dc.contributor.author.spa.fl_str_mv Richards, John
Shaw, Tim
dc.contributor.spa.fl_str_mv Universidad de Newcastle
dc.subject.keyword.eng.fl_str_mv musical instruments
performance ecology
performance-installation
DIY music
experimental electronics
topic musical instruments
performance ecology
performance-installation
DIY music
experimental electronics
instrumentos musicales
ecología de la performance
instalaciones-performance
música DIY
electrónica experimental
dc.subject.keyword.spa.fl_str_mv instrumentos musicales
ecología de la performance
instalaciones-performance
música DIY
electrónica experimental
description This article originated from a conversation between John Richards and Tim Shaw. The conversation is a response to the journal’s theme, Augmented Instruments. Instead of focusing on just one instrument, the authors decided to talk more generally about their overall aesthetic and process of making performance-installations. The conversation touches on augmentation, DIY instruments, unpredictability, and offers the reader examples of their own self-made musical devices. The discussion concludes with three emergent themes: Reductionism, Raw Materials, and Fields of Influence. They hope this transcribed conversation provides a useful starting point for readers interested in Richards’ and Shaw’s experimental approach to electronic music and idiosyncratic instrument design.
publishDate 2022
dc.date.issued.none.fl_str_mv 2022
dc.date.available.none.fl_str_mv 2024-02-19T18:43:26Z
dc.date.accessioned.none.fl_str_mv 2024-02-19T18:43:26Z
dc.date.none.fl_str_mv 2022
dc.type.eng.fl_str_mv article
info:eu-repo/semantics/article
publishedVersion
info:eu-repo/semantics/publishedVersion
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dc.type.spa.spa.fl_str_mv Artículo
status_str publishedVersion
dc.identifier.issn.none.fl_str_mv 2346-4879
2346-4742
dc.identifier.uri.none.fl_str_mv https://hdl.handle.net/10784/33444
dc.identifier.doi.none.fl_str_mv 10.17230/ricercare.2022.15.3
identifier_str_mv 2346-4879
2346-4742
10.17230/ricercare.2022.15.3
url https://hdl.handle.net/10784/33444
dc.language.iso.fl_str_mv eng
language eng
dc.relation.isversionof.none.fl_str_mv https://publicaciones.eafit.edu.co/index.php/ricercare/article/view/7385/5413
dc.relation.uri.none.fl_str_mv https://publicaciones.eafit.edu.co/index.php/ricercare/article/view/7385/5413
dc.rights.eng.fl_str_mv Copyright © 2022 John Richards, Tim Shaw
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.accessrights.eng.fl_str_mv openAccess
dc.rights.acceso.spa.fl_str_mv Libre acceso
rights_invalid_str_mv Copyright © 2022 John Richards, Tim Shaw
openAccess
Libre acceso
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad EAFIT
dc.source.spa.fl_str_mv Ricercare, No. 15 (2022)
institution Universidad EAFIT
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