Directional Landscapes: Using Parametric Loudspeakers for Sound Reproduction in Art
As new technologies appear, the expressive palette of creators broadens. Parametric loudspeakers are one of such new technologies that makes it possible to direct sound as though it were a light beam. Since their debut in the market, they have thus far received little attention from part of the arti...
- Autores:
-
Alunno, M.
Yarce Botero, A.
- Tipo de recurso:
- Fecha de publicación:
- 2017
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- eng
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/26731
- Acceso en línea:
- https://eafit.fundanetsuite.com/Publicaciones/ProdCientif/PublicacionFrw.aspx?id=5286
http://hdl.handle.net/10784/26731
- Palabra clave:
- art
installation
directional
sound
non-linear
acoustics
parametric
loudspeaker
ultrasound
- Rights
- License
- https://v2.sherpa.ac.uk/id/publication/issn/0929-8215
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2021-03-23T19:52:07Z2017-01-012021-03-23T19:52:07Zhttps://eafit.fundanetsuite.com/Publicaciones/ProdCientif/PublicacionFrw.aspx?id=52860929821517445027WOS;000401528700007SCOPUS;2-s2.0-84984914614http://hdl.handle.net/10784/2673110.1080/09298215.2016.1227340As new technologies appear, the expressive palette of creators broadens. Parametric loudspeakers are one of such new technologies that makes it possible to direct sound as though it were a light beam. Since their debut in the market, they have thus far received little attention from part of the artistic world. Some peculiarities concerning the sound reproduction might explain why musicians in particular are hesitating to use an otherwise highly attractive acoustic innovation. Due to such peculiarities, a proper use of parametric loudspeakers in art must start with investigating a whole array of different topics (i.e. non-linear acoustics and ultrasonic transducers) in order to understand how this technology works and utilize it at its best. The result of our project is ultimately a sound installation that makes use of directional sound to ruminate on issues concerning sound perception and the responsible use of our sound environment. © 2016 Informa UK Limited, trading as Taylor & Francis Group.engTaylor and Francis Ltd.https://www.scopus.com/inward/record.uri?eid=2-s2.0-84984914614&doi=10.1080%2f09298215.2016.1227340&partnerID=40&md5=9b54f6b8d730d2e618a69885fbb8b1f0https://v2.sherpa.ac.uk/id/publication/issn/0929-8215Acceso abiertohttp://purl.org/coar/access_right/c_abf2JOURNAL OF NEW MUSIC RESEARCHartinstallationdirectionalsoundnon-linearacousticsparametricloudspeakerultrasoundDirectional Landscapes: Using Parametric Loudspeakers for Sound Reproduction in ArtacceptedVersioninfo:eu-repo/semantics/acceptedVersionarticleinfo:eu-repo/semantics/articleArtículohttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Universidad EAFIT. Departamento de CienciasAlunno, M.Yarce Botero, A.Biodiversidad, Evolución y ConservaciónJOURNAL OF NEW MUSIC RESEARCHORIGINALDirectional Landscapes Using Parametric Loudspeakers for Sound Reproduction in Art.pdfDirectional Landscapes Using Parametric Loudspeakers for Sound Reproduction in Art.pdfapplication/pdf786987https://repository.eafit.edu.co/bitstreams/5774c0cb-54ce-441e-bc79-32a59997791c/downloadf37a5ad32241a2c86bc06a6697705ae2MD5110784/26731oai:repository.eafit.edu.co:10784/267312022-08-17 07:42:37.324open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co |
dc.title.eng.fl_str_mv |
Directional Landscapes: Using Parametric Loudspeakers for Sound Reproduction in Art |
title |
Directional Landscapes: Using Parametric Loudspeakers for Sound Reproduction in Art |
spellingShingle |
Directional Landscapes: Using Parametric Loudspeakers for Sound Reproduction in Art art installation directional sound non-linear acoustics parametric loudspeaker ultrasound |
title_short |
Directional Landscapes: Using Parametric Loudspeakers for Sound Reproduction in Art |
title_full |
Directional Landscapes: Using Parametric Loudspeakers for Sound Reproduction in Art |
title_fullStr |
Directional Landscapes: Using Parametric Loudspeakers for Sound Reproduction in Art |
title_full_unstemmed |
Directional Landscapes: Using Parametric Loudspeakers for Sound Reproduction in Art |
title_sort |
Directional Landscapes: Using Parametric Loudspeakers for Sound Reproduction in Art |
dc.creator.fl_str_mv |
Alunno, M. Yarce Botero, A. |
dc.contributor.department.spa.fl_str_mv |
Universidad EAFIT. Departamento de Ciencias |
dc.contributor.author.none.fl_str_mv |
Alunno, M. Yarce Botero, A. |
dc.contributor.researchgroup.spa.fl_str_mv |
Biodiversidad, Evolución y Conservación |
dc.subject.eng.fl_str_mv |
art installation directional sound non-linear acoustics parametric loudspeaker ultrasound |
topic |
art installation directional sound non-linear acoustics parametric loudspeaker ultrasound |
description |
As new technologies appear, the expressive palette of creators broadens. Parametric loudspeakers are one of such new technologies that makes it possible to direct sound as though it were a light beam. Since their debut in the market, they have thus far received little attention from part of the artistic world. Some peculiarities concerning the sound reproduction might explain why musicians in particular are hesitating to use an otherwise highly attractive acoustic innovation. Due to such peculiarities, a proper use of parametric loudspeakers in art must start with investigating a whole array of different topics (i.e. non-linear acoustics and ultrasonic transducers) in order to understand how this technology works and utilize it at its best. The result of our project is ultimately a sound installation that makes use of directional sound to ruminate on issues concerning sound perception and the responsible use of our sound environment. © 2016 Informa UK Limited, trading as Taylor & Francis Group. |
publishDate |
2017 |
dc.date.issued.none.fl_str_mv |
2017-01-01 |
dc.date.available.none.fl_str_mv |
2021-03-23T19:52:07Z |
dc.date.accessioned.none.fl_str_mv |
2021-03-23T19:52:07Z |
dc.type.eng.fl_str_mv |
acceptedVersion info:eu-repo/semantics/acceptedVersion article info:eu-repo/semantics/article |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.local.spa.fl_str_mv |
Artículo |
status_str |
acceptedVersion |
dc.identifier.none.fl_str_mv |
https://eafit.fundanetsuite.com/Publicaciones/ProdCientif/PublicacionFrw.aspx?id=5286 |
dc.identifier.issn.none.fl_str_mv |
09298215 17445027 |
dc.identifier.other.none.fl_str_mv |
WOS;000401528700007 SCOPUS;2-s2.0-84984914614 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10784/26731 |
dc.identifier.doi.none.fl_str_mv |
10.1080/09298215.2016.1227340 |
url |
https://eafit.fundanetsuite.com/Publicaciones/ProdCientif/PublicacionFrw.aspx?id=5286 http://hdl.handle.net/10784/26731 |
identifier_str_mv |
09298215 17445027 WOS;000401528700007 SCOPUS;2-s2.0-84984914614 10.1080/09298215.2016.1227340 |
dc.language.iso.eng.fl_str_mv |
eng |
language |
eng |
dc.relation.uri.none.fl_str_mv |
https://www.scopus.com/inward/record.uri?eid=2-s2.0-84984914614&doi=10.1080%2f09298215.2016.1227340&partnerID=40&md5=9b54f6b8d730d2e618a69885fbb8b1f0 |
dc.rights.none.fl_str_mv |
https://v2.sherpa.ac.uk/id/publication/issn/0929-8215 |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.local.spa.fl_str_mv |
Acceso abierto |
rights_invalid_str_mv |
https://v2.sherpa.ac.uk/id/publication/issn/0929-8215 Acceso abierto http://purl.org/coar/access_right/c_abf2 |
dc.publisher.none.fl_str_mv |
Taylor and Francis Ltd. |
publisher.none.fl_str_mv |
Taylor and Francis Ltd. |
dc.source.none.fl_str_mv |
JOURNAL OF NEW MUSIC RESEARCH |
institution |
Universidad EAFIT |
bitstream.url.fl_str_mv |
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repository.name.fl_str_mv |
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repositorio@eafit.edu.co |
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1814110217559867392 |