Allegorizing the Immaculate Conception: a cycle of Lima tiles and a Cusco sermon
This article aims to show that the classical training received at the Seminary of San Antonio Abad in sixteenth-century viceregal Cusco was decisive in the allegorization processes that are at the foundation of the intellectual project of the azulejo cycle in the Chapel of the Immaculate Conception...
- Autores:
-
Lozano Vásquez, Andrea
Zalamea Fajardo, Patricia
- Tipo de recurso:
- Fecha de publicación:
- 2021
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/30989
- Acceso en línea:
- http://hdl.handle.net/10784/30989
- Palabra clave:
- Allegorization
chapel of the Immaculate Conception
Espinosa Medrano
classical tradition
Vasco de Contreras y Valverde
Alegorización
capilla de la Inmaculada Concepción
Espinosa Medrano
tradición clásica
Vasco de Contreras y Valverde
- Rights
- License
- Copyright © 2021 Andrea Lozado Vásquez, Patricia Zalamea Fajardo
| Summary: | This article aims to show that the classical training received at the Seminary of San Antonio Abad in sixteenth-century viceregal Cusco was decisive in the allegorization processes that are at the foundation of the intellectual project of the azulejo cycle in the Chapel of the Immaculate Conception of the Cathedral of Lima, conceived by Vasco de Contreras y Valverde, and of the panegyric to the Immaculate Conception written by Espinosa Medrano in 1670. Espinosa Medrano’s allegorizing is a particularly American reception of the Classical tradition. |
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