The bodyless sound and the re-embodied sound: an expansion of the sonic body of the instrument
The development of recording technologies, audio manipulation techniques, and sound synthesis opened new sonic horizons. At the same time, realising or reproducing these new sounds creates issues of disembodiment and/or a total lack of physical-gesture-to-audio relationship. Understanding the impact...
- Autores:
-
Ramos Flores, Cristohper
- Tipo de recurso:
- Fecha de publicación:
- 2022
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- eng
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/33445
- Acceso en línea:
- https://hdl.handle.net/10784/33445
- Palabra clave:
- Music
Electronic music
Hyperinstruments
Embodyment
Musica
Musica electronica
Hiperinstrumentos
Corporeidad
- Rights
- License
- Copyright © 2022 Cristohper Ramos Flores
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Universidad Victoria de WellingtonRamos Flores, Cristohper20222024-02-19T18:43:26Z20222024-02-19T18:43:26Z2346-48792346-4741https://hdl.handle.net/10784/3344510.17230/ricercare.2022.15.2The development of recording technologies, audio manipulation techniques, and sound synthesis opened new sonic horizons. At the same time, realising or reproducing these new sounds creates issues of disembodiment and/or a total lack of physical-gesture-to-audio relationship. Understanding the impact these issues have on our perception and comprehension of music becomes central in the light of new creative practices, in which developing hardware and software has become part of the creative process. These creative practices force us to re-think the role of performance and the medium (musical instruments) in the essence of the musical work. Building upon previous research, a set of possible configurations for hyperinstrument design is presented in this article with the aim to introduce novel ways of thinking about the relationship of the physical body of the instrument (resonant body), the sonic body (the acoustic phenomena unfolding in a physical space), and performance.Con el desarrollo de tecnologías de grabación y técnicas de manipulación audio, así como síntesis de audio, aparecieron nuevos horizontes sonoros. Al mismo tiempo, crear o reproducir estos nuevos sonidos invocó al problema de la incorporeidad y/o a un rompimiento en la relación entre el gesto físico y sonido. La comprensión del impacto que esta problemática tiene sobre nuestra percepción y entendimiento de la música se ha vuelto central bajo la luz de las nuevas prácticas creativas en las cuales el desarrollo de hardware y software forman parte del proceso creativo. Estas prácticas creativas nos fuerzan a repensar el rol de la interpretación y el medio (los instrumentos musicales) dentro de la esencia de la obra musical. En base a investigación previa, este articulo presenta un conjunto de posibles configuraciones para el diseño de hiperinstrumentos con el fin de introducir nuevas formas de pensar en la relación entre el cuerpo físico del instrumento (cuerpo sonoro), el cuerpo acústico (el fenómeno acústico manifestado en un espacio) y la interpretación.application/pdfUniversidad EAFIThttps://publicaciones.eafit.edu.co/index.php/ricercare/article/view/7282/5412https://publicaciones.eafit.edu.co/index.php/ricercare/article/view/7282/5412Copyright © 2022 Cristohper Ramos FloresopenAccessLibre accesohttp://purl.org/coar/access_right/c_abf2Ricercare, No. 15 (2022)The bodyless sound and the re-embodied sound: an expansion of the sonic body of the instrumentEl sonido sin cuerpo y el sonido re-incorporado: una expansión del cuerpo sónico de los instrumentosarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1MusicElectronic musicHyperinstrumentsEmbodymentMusicaMusica electronicaHiperinstrumentosCorporeidadRicercare153058engORIGINALel-sonido-sin-cuerpo .pdfTexto completoapplication/pdf1300607https://repository.eafit.edu.co/bitstreams/94199f18-8495-49c4-a509-8db11db33db7/downloadbd3a8a3a887f77ab47c972aaf505ebe2MD51THUMBNAILminaitura-ricercare_Mesa de trabajo 1.jpgCarátulaimage/jpeg182034https://repository.eafit.edu.co/bitstreams/fe1fc492-3408-4afc-9b11-d9c20b4b2458/downloada0d2ce2dd3fc2bd2c5aa7702f779f7ceMD5210784/33445oai:repository.eafit.edu.co:10784/334452024-02-21 10:59:36.377open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co |
| dc.title.eng.fl_str_mv |
The bodyless sound and the re-embodied sound: an expansion of the sonic body of the instrument |
| dc.title.spa.fl_str_mv |
El sonido sin cuerpo y el sonido re-incorporado: una expansión del cuerpo sónico de los instrumentos |
| title |
The bodyless sound and the re-embodied sound: an expansion of the sonic body of the instrument |
| spellingShingle |
The bodyless sound and the re-embodied sound: an expansion of the sonic body of the instrument Music Electronic music Hyperinstruments Embodyment Musica Musica electronica Hiperinstrumentos Corporeidad |
| title_short |
The bodyless sound and the re-embodied sound: an expansion of the sonic body of the instrument |
| title_full |
The bodyless sound and the re-embodied sound: an expansion of the sonic body of the instrument |
| title_fullStr |
The bodyless sound and the re-embodied sound: an expansion of the sonic body of the instrument |
| title_full_unstemmed |
The bodyless sound and the re-embodied sound: an expansion of the sonic body of the instrument |
| title_sort |
The bodyless sound and the re-embodied sound: an expansion of the sonic body of the instrument |
| dc.creator.fl_str_mv |
Ramos Flores, Cristohper |
| dc.contributor.author.spa.fl_str_mv |
Ramos Flores, Cristohper |
| dc.contributor.spa.fl_str_mv |
Universidad Victoria de Wellington |
| dc.subject.keyword.eng.fl_str_mv |
Music Electronic music Hyperinstruments Embodyment |
| topic |
Music Electronic music Hyperinstruments Embodyment Musica Musica electronica Hiperinstrumentos Corporeidad |
| dc.subject.keyword.spa.fl_str_mv |
Musica Musica electronica Hiperinstrumentos Corporeidad |
| description |
The development of recording technologies, audio manipulation techniques, and sound synthesis opened new sonic horizons. At the same time, realising or reproducing these new sounds creates issues of disembodiment and/or a total lack of physical-gesture-to-audio relationship. Understanding the impact these issues have on our perception and comprehension of music becomes central in the light of new creative practices, in which developing hardware and software has become part of the creative process. These creative practices force us to re-think the role of performance and the medium (musical instruments) in the essence of the musical work. Building upon previous research, a set of possible configurations for hyperinstrument design is presented in this article with the aim to introduce novel ways of thinking about the relationship of the physical body of the instrument (resonant body), the sonic body (the acoustic phenomena unfolding in a physical space), and performance. |
| publishDate |
2022 |
| dc.date.issued.none.fl_str_mv |
2022 |
| dc.date.available.none.fl_str_mv |
2024-02-19T18:43:26Z |
| dc.date.accessioned.none.fl_str_mv |
2024-02-19T18:43:26Z |
| dc.date.none.fl_str_mv |
2022 |
| dc.type.eng.fl_str_mv |
article info:eu-repo/semantics/article publishedVersion info:eu-repo/semantics/publishedVersion |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/resource_type/c_2df8fbb1 |
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Artículo |
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publishedVersion |
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2346-4879 2346-4741 |
| dc.identifier.uri.none.fl_str_mv |
https://hdl.handle.net/10784/33445 |
| dc.identifier.doi.none.fl_str_mv |
10.17230/ricercare.2022.15.2 |
| identifier_str_mv |
2346-4879 2346-4741 10.17230/ricercare.2022.15.2 |
| url |
https://hdl.handle.net/10784/33445 |
| dc.language.iso.fl_str_mv |
eng |
| language |
eng |
| dc.relation.isversionof.none.fl_str_mv |
https://publicaciones.eafit.edu.co/index.php/ricercare/article/view/7282/5412 |
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https://publicaciones.eafit.edu.co/index.php/ricercare/article/view/7282/5412 |
| dc.rights.eng.fl_str_mv |
Copyright © 2022 Cristohper Ramos Flores |
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http://purl.org/coar/access_right/c_abf2 |
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openAccess |
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Libre acceso |
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Copyright © 2022 Cristohper Ramos Flores openAccess Libre acceso http://purl.org/coar/access_right/c_abf2 |
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application/pdf |
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Universidad EAFIT |
| dc.source.spa.fl_str_mv |
Ricercare, No. 15 (2022) |
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