The popular sound object and its role in electroacoustic composition. Analysis of expressions of popular music in the electroacoustic repertoire and its use in musical creation

The academic composition has always looked for ways to nourish the music of popular tradition and it is possible to trace, in the history of Western music, many composers who have resorted to their use. It is important to continue observing and studying the creative processes that keep both musical...

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Autores:
Rodríguez Álvarez, Luis Carlos
Tipo de recurso:
Fecha de publicación:
2016
Institución:
Universidad EAFIT
Repositorio:
Repositorio EAFIT
Idioma:
spa
OAI Identifier:
oai:repository.eafit.edu.co:10784/15258
Acceso en línea:
http://hdl.handle.net/10784/15258
Palabra clave:
Latin American Electroacoustic Music
Composition
Analysis
Latin American Folk Music
Musical Aesthetics
Sound Object
Música Electroacústica Latinoamericana
Composición
Análisis
Músicas Populares Latinoamericanas
Estéticas Musicales
Objeto Sonoro
Rights
License
Copyright (c) 2016 Luis Carlos Rodríguez Álvarez
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network_acronym_str REPOEAFIT2
network_name_str Repositorio EAFIT
repository_id_str
dc.title.eng.fl_str_mv The popular sound object and its role in electroacoustic composition. Analysis of expressions of popular music in the electroacoustic repertoire and its use in musical creation
dc.title.spa.fl_str_mv El objeto sonoro popular y su papel en la composición electroacústica. Análisis de expresiones de música popular en el repertorio electroacústico y su uso en la creación musical
title The popular sound object and its role in electroacoustic composition. Analysis of expressions of popular music in the electroacoustic repertoire and its use in musical creation
spellingShingle The popular sound object and its role in electroacoustic composition. Analysis of expressions of popular music in the electroacoustic repertoire and its use in musical creation
Latin American Electroacoustic Music
Composition
Analysis
Latin American Folk Music
Musical Aesthetics
Sound Object
Música Electroacústica Latinoamericana
Composición
Análisis
Músicas Populares Latinoamericanas
Estéticas Musicales
Objeto Sonoro
title_short The popular sound object and its role in electroacoustic composition. Analysis of expressions of popular music in the electroacoustic repertoire and its use in musical creation
title_full The popular sound object and its role in electroacoustic composition. Analysis of expressions of popular music in the electroacoustic repertoire and its use in musical creation
title_fullStr The popular sound object and its role in electroacoustic composition. Analysis of expressions of popular music in the electroacoustic repertoire and its use in musical creation
title_full_unstemmed The popular sound object and its role in electroacoustic composition. Analysis of expressions of popular music in the electroacoustic repertoire and its use in musical creation
title_sort The popular sound object and its role in electroacoustic composition. Analysis of expressions of popular music in the electroacoustic repertoire and its use in musical creation
dc.creator.fl_str_mv Rodríguez Álvarez, Luis Carlos
dc.contributor.author.spa.fl_str_mv Rodríguez Álvarez, Luis Carlos
dc.contributor.affiliation.spa.fl_str_mv Universidad EAFIT
dc.subject.keyword.eng.fl_str_mv Latin American Electroacoustic Music
Composition
Analysis
Latin American Folk Music
Musical Aesthetics
Sound Object
topic Latin American Electroacoustic Music
Composition
Analysis
Latin American Folk Music
Musical Aesthetics
Sound Object
Música Electroacústica Latinoamericana
Composición
Análisis
Músicas Populares Latinoamericanas
Estéticas Musicales
Objeto Sonoro
dc.subject.keyword.spa.fl_str_mv Música Electroacústica Latinoamericana
Composición
Análisis
Músicas Populares Latinoamericanas
Estéticas Musicales
Objeto Sonoro
description The academic composition has always looked for ways to nourish the music of popular tradition and it is possible to trace, in the history of Western music, many composers who have resorted to their use. It is important to continue observing and studying the creative processes that keep both musical practices alive and artistic expressions that continue to explore different ways of establishing relationships between academics and the popular. My intention is to show different ways to include sound elements that make reference to popular music or contexts in the composition of electroacoustic music and see its impact on musical discourse. Categories will be established for the identification and analysis of what I will call 'popular sound object' and the way in which it has been used and manipulated by different composers in Latin America and, in particular, in Colombia will be noted.
publishDate 2016
dc.date.issued.none.fl_str_mv 2016-12-12
dc.date.available.none.fl_str_mv 2019-12-09T15:42:40Z
dc.date.accessioned.none.fl_str_mv 2019-12-09T15:42:40Z
dc.date.none.fl_str_mv 2016-12-12
dc.type.eng.fl_str_mv article
info:eu-repo/semantics/article
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dc.type.local.spa.fl_str_mv Artículo
status_str publishedVersion
dc.identifier.issn.none.fl_str_mv 2346-4747
2346-4879
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/10784/15258
dc.identifier.doi.none.fl_str_mv 10.17230/ricercare.2016.6.3
identifier_str_mv 2346-4747
2346-4879
10.17230/ricercare.2016.6.3
url http://hdl.handle.net/10784/15258
dc.language.iso.none.fl_str_mv spa
language spa
dc.relation.ispartof.none.fl_str_mv Ricercare; Vol 2016, No 6 (2016)
dc.relation.isversionof.none.fl_str_mv http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/4377
dc.relation.uri.none.fl_str_mv http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/4377
dc.rights.eng.fl_str_mv Copyright (c) 2016 Luis Carlos Rodríguez Álvarez
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.local.spa.fl_str_mv Acceso abierto
rights_invalid_str_mv Copyright (c) 2016 Luis Carlos Rodríguez Álvarez
Acceso abierto
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.coverage.spatial.eng.fl_str_mv Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees
dc.publisher.spa.fl_str_mv Universidad EAFIT
dc.source.none.fl_str_mv instname:Universidad EAFIT
reponame:Repositorio Institucional Universidad EAFIT
dc.source.spa.fl_str_mv Ricercare; Vol 2016, No 6 (2016)
instname_str Universidad EAFIT
institution Universidad EAFIT
reponame_str Repositorio Institucional Universidad EAFIT
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spelling Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees2016-12-122019-12-09T15:42:40Z2016-12-122019-12-09T15:42:40Z2346-47472346-4879http://hdl.handle.net/10784/1525810.17230/ricercare.2016.6.3The academic composition has always looked for ways to nourish the music of popular tradition and it is possible to trace, in the history of Western music, many composers who have resorted to their use. It is important to continue observing and studying the creative processes that keep both musical practices alive and artistic expressions that continue to explore different ways of establishing relationships between academics and the popular. My intention is to show different ways to include sound elements that make reference to popular music or contexts in the composition of electroacoustic music and see its impact on musical discourse. Categories will be established for the identification and analysis of what I will call 'popular sound object' and the way in which it has been used and manipulated by different composers in Latin America and, in particular, in Colombia will be noted.La composición académica siempre ha buscado la manera de nutrirse de las músicas de tradición popular y es posible rastrear, en la historia de la música occidental, muchos compositores que han recurrido al uso de ellas. Es importante seguir observando y estudiando los procesos creativos que mantienen vivas ambas prácticas musicales y las expresiones artísticas que continúan explorando diversas maneras de establecer relaciones entre lo académico y lo popular. Mi intención es mostrar deferentes vías para hacer inclusión de elementos sonoros que hagan referencia a músicas o contextos de tradición popular en la composición de música electroacústica y ver su incidencia en el discurso musical. Se establecerán categorías para la identificación y análisis de lo que llamaré `objeto sonoro popular´ y se notará la manera en que el mismo ha sido utilizado y manipulado por diferentes compositores en Latinoamérica y, en particular, en Colombia.application/pdfspaUniversidad EAFITRicercare; Vol 2016, No 6 (2016)http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/4377http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/4377Copyright (c) 2016 Luis Carlos Rodríguez ÁlvarezAcceso abiertohttp://purl.org/coar/access_right/c_abf2instname:Universidad EAFITreponame:Repositorio Institucional Universidad EAFITRicercare; Vol 2016, No 6 (2016)The popular sound object and its role in electroacoustic composition. Analysis of expressions of popular music in the electroacoustic repertoire and its use in musical creationEl objeto sonoro popular y su papel en la composición electroacústica. Análisis de expresiones de música popular en el repertorio electroacústico y su uso en la creación musicalarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Latin American Electroacoustic MusicCompositionAnalysisLatin American Folk MusicMusical AestheticsSound ObjectMúsica Electroacústica LatinoamericanaComposiciónAnálisisMúsicas Populares LatinoamericanasEstéticas MusicalesObjeto SonoroRodríguez Álvarez, Luis CarlosUniversidad EAFITRicercare201666592ricercareTHUMBNAILminaitura-ricercare_Mesa de trabajo 1[634].jpgminaitura-ricercare_Mesa de trabajo 1[634].jpgimage/jpeg182034https://repository.eafit.edu.co/bitstreams/0fb8002f-7d9b-43c3-808f-13e8c85ff428/downloada0d2ce2dd3fc2bd2c5aa7702f779f7ceMD51ORIGINAL4377-Texto del artículo-16233-1-10-20161212.pdf4377-Texto del artículo-16233-1-10-20161212.pdfTexto completo PDFapplication/pdf1891562https://repository.eafit.edu.co/bitstreams/c106cab9-95cf-4c8d-a464-e33cfe51e6a7/downloadae9df889801f3d3c93e3cbd9f78c0b2dMD52articulo - copia.htmlarticulo - copia.htmlTexto completo HTMLtext/html373https://repository.eafit.edu.co/bitstreams/85683a18-9dbe-4531-b904-4bd0855b3673/download53fb4570bf148c8c660568bb7ad904cbMD5310784/15258oai:repository.eafit.edu.co:10784/152582020-03-08 13:30:12.781open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co

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