Dangling dancers, vertebrae creak, Female suicide, and Greek tragedy

Based on Nicole Loraux’s Tragic Ways of Killing a Woman, this article aims to present very different ways in which the death of a man and the death of a woman are thought of in a Greek polis. It seeks to emphasize the way in which the death of women is dramatized in Greek tragedy, a literary genre c...

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Autores:
Pájaro M., Carlos
Tipo de recurso:
Fecha de publicación:
2021
Institución:
Universidad EAFIT
Repositorio:
Repositorio EAFIT
Idioma:
spa
OAI Identifier:
oai:repository.eafit.edu.co:10784/30986
Acceso en línea:
http://hdl.handle.net/10784/30986
Palabra clave:
Hanging
aidos
andreía, Loraux
polis
suicide
tragedy
Ahorcamiento
aidos
andreía
Loraux
pólis
suicidio
tragedia
Rights
License
Copyright © 2021 Carlos Julio Pájaro M
Description
Summary:Based on Nicole Loraux’s Tragic Ways of Killing a Woman, this article aims to present very different ways in which the death of a man and the death of a woman are thought of in a Greek polis. It seeks to emphasize the way in which the death of women is dramatized in Greek tragedy, a literary genre considered as a place where the border lines between the two ways of dying fade, albeit ambiguously. Based on this, some features of political anthropology are shown in which the ancient Greek understanding supports the diverse meanings of death in the field of problems examined, in function of the sex of the person who is to die. Therefore, the objective is not to propose or carry out neither a study that suggests argumentative lines in favor of an understanding of the tragic, nor an interpretative study about the essence of that great artistic fruit of the Greek spirit.