Tonal distributions in the music of the renaissance
In this study we use the technique of note counting, tonal hierarchies and the algorithm to find tones to quantitatively assess how much the Renaissance musical language and subsequent tonal language resemble. The results show that there is a great correspondence between the tonal distributions of b...
- Autores:
-
Quiroga, David R.
- Tipo de recurso:
- Fecha de publicación:
- 2015
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/15278
- Acceso en línea:
- http://hdl.handle.net/10784/15278
- Palabra clave:
- Modalism
Tonalism
Tonal Hierarchies
Tonal Distributions
Note Counting
Algorithm To Find Tonalities
Correlation.
Modalismo
Tonalismo
Jerarquías Tonales
Distribuciones Tonales
Conteo De Notas
Algoritmo Para Hallar Tonalidades
Correlación.
- Rights
- License
- Copyright (c) 2015 David R. Quiroga
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Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees2015-08-142019-12-09T15:45:40Z2015-08-142019-12-09T15:45:40Z2346-47472346-4879http://hdl.handle.net/10784/1527810.17230/ricercare.2014.2.1In this study we use the technique of note counting, tonal hierarchies and the algorithm to find tones to quantitatively assess how much the Renaissance musical language and subsequent tonal language resemble. The results show that there is a great correspondence between the tonal distributions of both languages and between them and the tonal hierarchies found by Krumhansl and Kessler (1982). This suggests that the differences are smaller than what is usually considered and that, in the Renaissance, there is a hierarchy of tones similar to that of tonalism. On the other hand, some problematic cases show that modal language favors tonal ambiguity. Finally, empirical evidence is provided to the notion that, in the Renaissance, the system tends, progressively over time, to two poles: the major hue and the minor hue.En este estudio usamos la técnica de conteos de notas, las jerarquías tonales y el algoritmo para hallar tonalidades para evaluar de manera cuantitativa qué tanto se parecen el lenguaje musical del Renacimiento y el lenguaje tonal posterior. Los resultados muestran que hay una gran correspondencia entre las distribuciones tonales de ambos lenguajes y entre éstas y las jerarquías tonales halladas por Krumhansl y Kessler (1982). Esto sugiere que las diferencias son menores de lo que suele considerarse y que, en el Renacimiento, hay una jerarquía de tonos parecida a la del tonalismo. Por otra parte, algunos casos problemáticos muestran que el lenguaje modal favorece la ambigüedad tonal. Por último, se aporta evidencia empírica a la noción de que, en el Renacimiento, el sistema tiende, de manera progresiva en el tiempo, a dos polos: la tonalidad mayor y la tonalidad menor.application/pdfspaUniversidad EAFITRicercare; Vol 2014, No 2 (2015)http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/3109http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/3109Copyright (c) 2015 David R. QuirogaAcceso abiertohttp://purl.org/coar/access_right/c_abf2instname:Universidad EAFITreponame:Repositorio Institucional Universidad EAFITRicercare; Vol 2014, No 2 (2015)Tonal distributions in the music of the renaissanceDistribuciones tonales en la música del renacimiento, un análisis comparativoarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1ModalismTonalismTonal HierarchiesTonal DistributionsNote CountingAlgorithm To Find TonalitiesCorrelation.ModalismoTonalismoJerarquías TonalesDistribuciones TonalesConteo De NotasAlgoritmo Para Hallar TonalidadesCorrelación.Quiroga, David R.Universidad EAFITRicercare20142628ricercareTHUMBNAILminaitura-ricercare_Mesa de trabajo 1[634].jpgminaitura-ricercare_Mesa de trabajo 1[634].jpgimage/jpeg182034https://repository.eafit.edu.co/bitstreams/d250f3c7-c383-48ce-ab5e-2cf012253f7b/downloada0d2ce2dd3fc2bd2c5aa7702f779f7ceMD51ORIGINALdocument - 2020-03-11T133941.329.pdfdocument - 2020-03-11T133941.329.pdfTexto completo PDFapplication/pdf1860969https://repository.eafit.edu.co/bitstreams/08eee8b8-2c30-4d32-879b-38f10b1b7d94/downloadff6e9ca2950e00fb2e4b4b5c9a719eaaMD52articulo - copia (2).htmlarticulo - copia (2).htmlTexto completo HTMLtext/html373https://repository.eafit.edu.co/bitstreams/913edb9f-660a-47cf-8414-18a10b791a8e/downloaddcca7f31bf2b4dc9d93a657d184af314MD5310784/15278oai:repository.eafit.edu.co:10784/152782020-03-11 13:45:24.681open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co |
dc.title.eng.fl_str_mv |
Tonal distributions in the music of the renaissance |
dc.title.spa.fl_str_mv |
Distribuciones tonales en la música del renacimiento, un análisis comparativo |
title |
Tonal distributions in the music of the renaissance |
spellingShingle |
Tonal distributions in the music of the renaissance Modalism Tonalism Tonal Hierarchies Tonal Distributions Note Counting Algorithm To Find Tonalities Correlation. Modalismo Tonalismo Jerarquías Tonales Distribuciones Tonales Conteo De Notas Algoritmo Para Hallar Tonalidades Correlación. |
title_short |
Tonal distributions in the music of the renaissance |
title_full |
Tonal distributions in the music of the renaissance |
title_fullStr |
Tonal distributions in the music of the renaissance |
title_full_unstemmed |
Tonal distributions in the music of the renaissance |
title_sort |
Tonal distributions in the music of the renaissance |
dc.creator.fl_str_mv |
Quiroga, David R. |
dc.contributor.author.spa.fl_str_mv |
Quiroga, David R. |
dc.contributor.affiliation.spa.fl_str_mv |
Universidad EAFIT |
dc.subject.keyword.eng.fl_str_mv |
Modalism Tonalism Tonal Hierarchies Tonal Distributions Note Counting Algorithm To Find Tonalities Correlation. |
topic |
Modalism Tonalism Tonal Hierarchies Tonal Distributions Note Counting Algorithm To Find Tonalities Correlation. Modalismo Tonalismo Jerarquías Tonales Distribuciones Tonales Conteo De Notas Algoritmo Para Hallar Tonalidades Correlación. |
dc.subject.keyword.spa.fl_str_mv |
Modalismo Tonalismo Jerarquías Tonales Distribuciones Tonales Conteo De Notas Algoritmo Para Hallar Tonalidades Correlación. |
description |
In this study we use the technique of note counting, tonal hierarchies and the algorithm to find tones to quantitatively assess how much the Renaissance musical language and subsequent tonal language resemble. The results show that there is a great correspondence between the tonal distributions of both languages and between them and the tonal hierarchies found by Krumhansl and Kessler (1982). This suggests that the differences are smaller than what is usually considered and that, in the Renaissance, there is a hierarchy of tones similar to that of tonalism. On the other hand, some problematic cases show that modal language favors tonal ambiguity. Finally, empirical evidence is provided to the notion that, in the Renaissance, the system tends, progressively over time, to two poles: the major hue and the minor hue. |
publishDate |
2015 |
dc.date.issued.none.fl_str_mv |
2015-08-14 |
dc.date.available.none.fl_str_mv |
2019-12-09T15:45:40Z |
dc.date.accessioned.none.fl_str_mv |
2019-12-09T15:45:40Z |
dc.date.none.fl_str_mv |
2015-08-14 |
dc.type.eng.fl_str_mv |
article info:eu-repo/semantics/article publishedVersion info:eu-repo/semantics/publishedVersion |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.local.spa.fl_str_mv |
Artículo |
status_str |
publishedVersion |
dc.identifier.issn.none.fl_str_mv |
2346-4747 2346-4879 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10784/15278 |
dc.identifier.doi.none.fl_str_mv |
10.17230/ricercare.2014.2.1 |
identifier_str_mv |
2346-4747 2346-4879 10.17230/ricercare.2014.2.1 |
url |
http://hdl.handle.net/10784/15278 |
dc.language.iso.none.fl_str_mv |
spa |
language |
spa |
dc.relation.ispartof.none.fl_str_mv |
Ricercare; Vol 2014, No 2 (2015) |
dc.relation.isversionof.none.fl_str_mv |
http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/3109 |
dc.relation.uri.none.fl_str_mv |
http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/3109 |
dc.rights.eng.fl_str_mv |
Copyright (c) 2015 David R. Quiroga |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.local.spa.fl_str_mv |
Acceso abierto |
rights_invalid_str_mv |
Copyright (c) 2015 David R. Quiroga Acceso abierto http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf |
dc.coverage.spatial.eng.fl_str_mv |
Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees |
dc.publisher.spa.fl_str_mv |
Universidad EAFIT |
dc.source.none.fl_str_mv |
instname:Universidad EAFIT reponame:Repositorio Institucional Universidad EAFIT |
dc.source.spa.fl_str_mv |
Ricercare; Vol 2014, No 2 (2015) |
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Universidad EAFIT |
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Repositorio Institucional Universidad EAFIT |
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Repositorio Institucional Universidad EAFIT |
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