La música renacentista como una etapa de la evolución continua del tonalismo
In this project we sought to help establish whether Renaissance music (XV and XVI centuries), considered "modal", is substantially different from "tonal" music of later centuries or if, rather, it is the same tonal system that It evolved over time. For this, we analyze (tilde by...
- Autores:
-
Yepes Londoño, Gustavo Adolfo
- Tipo de recurso:
- Fecha de publicación:
- 2015
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/15276
- Acceso en línea:
- http://hdl.handle.net/10784/15276
- Palabra clave:
- Tonality
Functionality
Modalism
Theme
Compass And Metric
Variety (Varietas) And Harmony In Relation To The Counterpoint
Tonalismo
Funcionalidad
Modalismo
Tematicidad
Compás Y Métrica
Variedad (Varietas) Y Armonía En Relación Con El Contrapunto
- Rights
- License
- Copyright (c) 2015 Gustavo Adolfo Yepes Londoño
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|
dc.title.spa.fl_str_mv |
La música renacentista como una etapa de la evolución continua del tonalismo |
dc.title.eng.fl_str_mv |
Renaissance music as a stage of the continuous evolution of tonalism |
title |
La música renacentista como una etapa de la evolución continua del tonalismo |
spellingShingle |
La música renacentista como una etapa de la evolución continua del tonalismo Tonality Functionality Modalism Theme Compass And Metric Variety (Varietas) And Harmony In Relation To The Counterpoint Tonalismo Funcionalidad Modalismo Tematicidad Compás Y Métrica Variedad (Varietas) Y Armonía En Relación Con El Contrapunto |
title_short |
La música renacentista como una etapa de la evolución continua del tonalismo |
title_full |
La música renacentista como una etapa de la evolución continua del tonalismo |
title_fullStr |
La música renacentista como una etapa de la evolución continua del tonalismo |
title_full_unstemmed |
La música renacentista como una etapa de la evolución continua del tonalismo |
title_sort |
La música renacentista como una etapa de la evolución continua del tonalismo |
dc.creator.fl_str_mv |
Yepes Londoño, Gustavo Adolfo |
dc.contributor.author.spa.fl_str_mv |
Yepes Londoño, Gustavo Adolfo |
dc.contributor.affiliation.spa.fl_str_mv |
Universidad EAFIT |
dc.subject.keyword.eng.fl_str_mv |
Tonality Functionality Modalism Theme Compass And Metric Variety (Varietas) And Harmony In Relation To The Counterpoint |
topic |
Tonality Functionality Modalism Theme Compass And Metric Variety (Varietas) And Harmony In Relation To The Counterpoint Tonalismo Funcionalidad Modalismo Tematicidad Compás Y Métrica Variedad (Varietas) Y Armonía En Relación Con El Contrapunto |
dc.subject.keyword.spa.fl_str_mv |
Tonalismo Funcionalidad Modalismo Tematicidad Compás Y Métrica Variedad (Varietas) Y Armonía En Relación Con El Contrapunto |
description |
In this project we sought to help establish whether Renaissance music (XV and XVI centuries), considered "modal", is substantially different from "tonal" music of later centuries or if, rather, it is the same tonal system that It evolved over time. For this, we analyze (tilde by diacrisis of the past) a representative group of works of the time, with special emphasis on the problem of harmonic functionality as an expression of syntactic differentiation but we also use other specific analytical criteria and qualitative methods such as Quantitative Our search, rather than fighting with the state of the matter at present according to the authorized writers, tried to refine and gather their theoretical results and ours in conclusions with a more generalizing and synthetic theorizing vision. There is a fundamental aspect, although collateral for the subject that concerns us here, that our research group has been examining for years in the projects already completed and that of the musical lexicon, an issue that we have considered a priority in musical theorization as a branch of musicology, given the denotative and explanatory power that is expected of him, as in any scientific field and, on the other hand, the little rigor with which it has been used, at least in part and not only in the musicological writings in the Castilian language. Let us revise, then, terms such as tonality, functionality, modalism, subjectivity, compass and metric, variety (varietas) and harmony in relation to the counterpoint. |
publishDate |
2015 |
dc.date.issued.none.fl_str_mv |
2015-12-04 |
dc.date.available.none.fl_str_mv |
2019-12-09T15:45:40Z |
dc.date.accessioned.none.fl_str_mv |
2019-12-09T15:45:40Z |
dc.date.none.fl_str_mv |
2015-12-04 |
dc.type.eng.fl_str_mv |
article info:eu-repo/semantics/article publishedVersion info:eu-repo/semantics/publishedVersion |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.local.spa.fl_str_mv |
Artículo |
status_str |
publishedVersion |
dc.identifier.issn.none.fl_str_mv |
2346-4747 2346-4879 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10784/15276 |
dc.identifier.doi.none.fl_str_mv |
10.17230/ricercare.2015.3.4 |
identifier_str_mv |
2346-4747 2346-4879 10.17230/ricercare.2015.3.4 |
url |
http://hdl.handle.net/10784/15276 |
dc.language.iso.none.fl_str_mv |
spa |
language |
spa |
dc.relation.ispartof.none.fl_str_mv |
Ricercare; Vol 2015, No 3 (2015) |
dc.relation.isversionof.none.fl_str_mv |
http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/3324 |
dc.relation.uri.none.fl_str_mv |
http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/3324 |
dc.rights.eng.fl_str_mv |
Copyright (c) 2015 Gustavo Adolfo Yepes Londoño |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.local.spa.fl_str_mv |
Acceso abierto |
rights_invalid_str_mv |
Copyright (c) 2015 Gustavo Adolfo Yepes Londoño Acceso abierto http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf |
dc.coverage.spatial.eng.fl_str_mv |
Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees |
dc.publisher.spa.fl_str_mv |
Universidad EAFIT |
dc.source.none.fl_str_mv |
instname:Universidad EAFIT reponame:Repositorio Institucional Universidad EAFIT |
dc.source.spa.fl_str_mv |
Ricercare; Vol 2015, No 3 (2015) |
instname_str |
Universidad EAFIT |
institution |
Universidad EAFIT |
reponame_str |
Repositorio Institucional Universidad EAFIT |
collection |
Repositorio Institucional Universidad EAFIT |
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spelling |
Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees2015-12-042019-12-09T15:45:40Z2015-12-042019-12-09T15:45:40Z2346-47472346-4879http://hdl.handle.net/10784/1527610.17230/ricercare.2015.3.4In this project we sought to help establish whether Renaissance music (XV and XVI centuries), considered "modal", is substantially different from "tonal" music of later centuries or if, rather, it is the same tonal system that It evolved over time. For this, we analyze (tilde by diacrisis of the past) a representative group of works of the time, with special emphasis on the problem of harmonic functionality as an expression of syntactic differentiation but we also use other specific analytical criteria and qualitative methods such as Quantitative Our search, rather than fighting with the state of the matter at present according to the authorized writers, tried to refine and gather their theoretical results and ours in conclusions with a more generalizing and synthetic theorizing vision. There is a fundamental aspect, although collateral for the subject that concerns us here, that our research group has been examining for years in the projects already completed and that of the musical lexicon, an issue that we have considered a priority in musical theorization as a branch of musicology, given the denotative and explanatory power that is expected of him, as in any scientific field and, on the other hand, the little rigor with which it has been used, at least in part and not only in the musicological writings in the Castilian language. Let us revise, then, terms such as tonality, functionality, modalism, subjectivity, compass and metric, variety (varietas) and harmony in relation to the counterpoint.En este proyecto buscábamos ayudar a establecer si la música del Renacimiento (siglos XV y XVI), considerada “modal”, es sustancialmente diferente de la música “tonal” de siglos posteriores o si, más bien, se trata de un mismo sistema tonal que evolucionó en el tiempo. Para ello, analizámos (tilde por diacrisis del pretérito) un grupo representativo de obras de la época, haciendo especial énfasis en el problema de la funcionalidad armónica como expresión de diferenciación sintáctica pero también nos valimos de otros criterios analíticos específicos y de métodos tanto cualitativos como cuantitativos. Nuestra búsqueda, más que luchar con el estado de la cuestión en la actualidad según los tratadistas autorizados, trató de afinar y reunir sus resultados teóricos y los nuestros en unas conclusiones con una visión teorizante más generalizadora y sintética. Hay un aspecto fundamental, aunque colateral para el tema que aquí nos ocupa, que nuestro grupo de investigación viene examinado desde años atrás en los proyectos ya terminados y es el del léxico musical, un asunto que hemos considerado prioritario en la teorización musical como rama de la musicología, dado el poder denotativo y explicativo que se espera de él, como en todo campo científico y, por otra parte, el escaso rigor con que ha solido utilizarse, al menos en parte y no sólo en los escritos musicológicos en lengua castellana. Revisitámos, entonces, términos como tonalismo, funcionalidad, modalismo, tematicidad, compás y métrica, variedad (varietas) y armonía en relación con el contrapunto.application/pdfspaUniversidad EAFITRicercare; Vol 2015, No 3 (2015)http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/3324http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/3324Copyright (c) 2015 Gustavo Adolfo Yepes LondoñoAcceso abiertohttp://purl.org/coar/access_right/c_abf2instname:Universidad EAFITreponame:Repositorio Institucional Universidad EAFITRicercare; Vol 2015, No 3 (2015)La música renacentista como una etapa de la evolución continua del tonalismoRenaissance music as a stage of the continuous evolution of tonalismarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1TonalityFunctionalityModalismThemeCompass And MetricVariety (Varietas) And Harmony In Relation To The CounterpointTonalismoFuncionalidadModalismoTematicidadCompás Y MétricaVariedad (Varietas) Y Armonía En Relación Con El ContrapuntoYepes Londoño, Gustavo AdolfoUniversidad EAFITRicercare2015371101ricercareTHUMBNAILminaitura-ricercare_Mesa de trabajo 1[634].jpgminaitura-ricercare_Mesa de trabajo 1[634].jpgimage/jpeg182034https://repository.eafit.edu.co/bitstreams/804fb668-3e65-4f88-bc37-038227621569/downloada0d2ce2dd3fc2bd2c5aa7702f779f7ceMD51ORIGINAL3324-Article Text-12981-1-10-20151204.pdf3324-Article Text-12981-1-10-20151204.pdfTexto completo PDFapplication/pdf902375https://repository.eafit.edu.co/bitstreams/3cbd7c0d-c4dd-4c05-b199-cf0548dcef7b/downloadf7f721bb4d5e62456adee350b57af057MD52articulo - copia.htmlarticulo - copia.htmlTexto completo HTMLtext/html373https://repository.eafit.edu.co/bitstreams/34019028-cf37-412d-834a-9ac44e40ae53/downloadca0b6b674dcf1b6170e38b6a9f239f69MD5310784/15276oai:repository.eafit.edu.co:10784/152762020-05-29 13:56:27.248open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co |