From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello

This article studies the change in the timbre and the playing techniques within the solo cello repertoire from the 20th century onward. Timbre as a complex sound element started to be more explored and to become more important in the solo cello literature in the beginning of the 20th century. Howeve...

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Autores:
Castrillón Arcila, Sergio Andrés
Tipo de recurso:
Fecha de publicación:
2019
Institución:
Universidad EAFIT
Repositorio:
Repositorio EAFIT
Idioma:
spa
OAI Identifier:
oai:repository.eafit.edu.co:10784/16110
Acceso en línea:
http://hdl.handle.net/10784/16110
Palabra clave:
Timbre
timbral explorations
extended techniques
cello solo
20th century music
Timbre
exploraciones tímbricas
técnicas extendidas
violonchelo solo
m´úsica del siglo XX
Rights
License
Copyright © 2019 Sergio Andrés Castrillón Arcila
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spelling 2019-06-282020-04-29T18:37:18Z2019-06-282020-04-29T18:37:18Z2346-4879http://hdl.handle.net/10784/1611010.17230/ricercare.2019.11.2This article studies the change in the timbre and the playing techniques within the solo cello repertoire from the 20th century onward. Timbre as a complex sound element started to be more explored and to become more important in the solo cello literature in the beginning of the 20th century. However, this exploration was fully developed around 1950’s when timbre is considered a crucial feature within the repertoire. First of all let us analyze the New Timbral Explorations in the cello and their influence in the solo cello and cello with electronic media repertoire in the 20th and 21st century. After this analysis, let us look how the paradigm shift in the timbre within the 20th and 21st centuries’ solo cello repertoire is related to two main facts that have evolved simultaneously during such periods: The development of the so called Extended Playing Techniques and the emergence of diverse musical trendsEl presente artículo busca estudiar el gran cambio en el timbre y en las técnicas de interpretación que se ha dado en la música para violonchelo solo desde el siglo xx hasta nuestros días. Timbre, como una compleja cualidad sonora, empezó a explorarse más y a adquirir mayor importancia en el repertorio para violonchelo solo a principios del siglo xx. Sin embargo, esta exploración no se desarrolla sino hasta después de los años cincuenta, cuando el timbre se consolida como elemento primario dentro del repertorio. En primer lugar, se analizó las nuevas exploraciones tímbricas en el violonchelo y su influencia en el desarrollo del repertorio a solo y con medios electrónicos en el siglo xx y xxi. Después de este análisis, se examinó cómo el cambio de paradigma tímbrico en las obras para violonchelo solo del siglo xx y principios del xxi está ligado principalmente a dos grandes acontecimientos que han evolucionado de manera simultánea durante los mismos siglos: el desarrollo de las llamadas técnicas extendidas y el surgimiento de diversas tendencias musicales.application/pdfspaUniversidad EAFIThttp://publicaciones.eafit.edu.co/index.php/ricercare/article/view/6215http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/6215Copyright © 2019 Sergio Andrés Castrillón ArcilaAcceso abiertohttp://purl.org/coar/access_right/c_abf2Ricercare; No 11From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncelloDel puntal al caracol nuevas perspectivas en el timbre y la técnica del violoncheloarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Timbretimbral explorationsextended techniquescello solo20th century musicTimbreexploraciones tímbricastécnicas extendidasviolonchelo solom´úsica del siglo XXCastrillón Arcila, Sergio AndrésUniversidad de HelsinkiRicercare113654THUMBNAILminaitura-ricercare_Mesa de trabajo 1[634].jpgminaitura-ricercare_Mesa de trabajo 1[634].jpgimage/jpeg182034https://repository.eafit.edu.co/bitstreams/eb7f2ba1-2b7a-4741-8ee7-7716351fc03b/downloada0d2ce2dd3fc2bd2c5aa7702f779f7ceMD51ORIGINALdocument - 2020-05-10T093933.313.pdfdocument - 2020-05-10T093933.313.pdfTexto completo PDFapplication/pdf1009634https://repository.eafit.edu.co/bitstreams/50fbe6fe-d2e2-44a5-a36e-27e98cd7e49b/download97d06aecd4a6e3b35df6f24ba9b611e0MD52articulo.htmlarticulo.htmlTexto completo HTMLtext/html373https://repository.eafit.edu.co/bitstreams/337cf601-0156-441a-a645-30f4a5858100/download4c6acd28cbfbc162fdb9fccafa3b6badMD5310784/16110oai:repository.eafit.edu.co:10784/161102020-09-01 17:34:27.315open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co
dc.title.eng.fl_str_mv From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello
dc.title.spa.fl_str_mv Del puntal al caracol nuevas perspectivas en el timbre y la técnica del violonchelo
title From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello
spellingShingle From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello
Timbre
timbral explorations
extended techniques
cello solo
20th century music
Timbre
exploraciones tímbricas
técnicas extendidas
violonchelo solo
m´úsica del siglo XX
title_short From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello
title_full From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello
title_fullStr From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello
title_full_unstemmed From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello
title_sort From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello
dc.creator.fl_str_mv Castrillón Arcila, Sergio Andrés
dc.contributor.author.spa.fl_str_mv Castrillón Arcila, Sergio Andrés
dc.contributor.affiliation.spa.fl_str_mv Universidad de Helsinki
dc.subject.keyword.eng.fl_str_mv Timbre
timbral explorations
extended techniques
cello solo
20th century music
topic Timbre
timbral explorations
extended techniques
cello solo
20th century music
Timbre
exploraciones tímbricas
técnicas extendidas
violonchelo solo
m´úsica del siglo XX
dc.subject.keyword.spa.fl_str_mv Timbre
exploraciones tímbricas
técnicas extendidas
violonchelo solo
m´úsica del siglo XX
description This article studies the change in the timbre and the playing techniques within the solo cello repertoire from the 20th century onward. Timbre as a complex sound element started to be more explored and to become more important in the solo cello literature in the beginning of the 20th century. However, this exploration was fully developed around 1950’s when timbre is considered a crucial feature within the repertoire. First of all let us analyze the New Timbral Explorations in the cello and their influence in the solo cello and cello with electronic media repertoire in the 20th and 21st century. After this analysis, let us look how the paradigm shift in the timbre within the 20th and 21st centuries’ solo cello repertoire is related to two main facts that have evolved simultaneously during such periods: The development of the so called Extended Playing Techniques and the emergence of diverse musical trends
publishDate 2019
dc.date.issued.none.fl_str_mv 2019-06-28
dc.date.available.none.fl_str_mv 2020-04-29T18:37:18Z
dc.date.accessioned.none.fl_str_mv 2020-04-29T18:37:18Z
dc.date.none.fl_str_mv 2019-06-28
dc.type.eng.fl_str_mv article
info:eu-repo/semantics/article
publishedVersion
info:eu-repo/semantics/publishedVersion
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dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_6501
http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.local.spa.fl_str_mv Artículo
status_str publishedVersion
dc.identifier.issn.none.fl_str_mv 2346-4879
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/10784/16110
dc.identifier.doi.none.fl_str_mv 10.17230/ricercare.2019.11.2
identifier_str_mv 2346-4879
10.17230/ricercare.2019.11.2
url http://hdl.handle.net/10784/16110
dc.language.iso.none.fl_str_mv spa
language spa
dc.relation.isversionof.none.fl_str_mv http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/6215
dc.relation.uri.none.fl_str_mv http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/6215
dc.rights.eng.fl_str_mv Copyright © 2019 Sergio Andrés Castrillón Arcila
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.local.spa.fl_str_mv Acceso abierto
rights_invalid_str_mv Copyright © 2019 Sergio Andrés Castrillón Arcila
Acceso abierto
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad EAFIT
dc.source.spa.fl_str_mv Ricercare; No 11
institution Universidad EAFIT
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