From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello
This article studies the change in the timbre and the playing techniques within the solo cello repertoire from the 20th century onward. Timbre as a complex sound element started to be more explored and to become more important in the solo cello literature in the beginning of the 20th century. Howeve...
- Autores:
-
Castrillón Arcila, Sergio Andrés
- Tipo de recurso:
- Fecha de publicación:
- 2019
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/16110
- Acceso en línea:
- http://hdl.handle.net/10784/16110
- Palabra clave:
- Timbre
timbral explorations
extended techniques
cello solo
20th century music
Timbre
exploraciones tímbricas
técnicas extendidas
violonchelo solo
m´úsica del siglo XX
- Rights
- License
- Copyright © 2019 Sergio Andrés Castrillón Arcila
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2019-06-282020-04-29T18:37:18Z2019-06-282020-04-29T18:37:18Z2346-4879http://hdl.handle.net/10784/1611010.17230/ricercare.2019.11.2This article studies the change in the timbre and the playing techniques within the solo cello repertoire from the 20th century onward. Timbre as a complex sound element started to be more explored and to become more important in the solo cello literature in the beginning of the 20th century. However, this exploration was fully developed around 1950’s when timbre is considered a crucial feature within the repertoire. First of all let us analyze the New Timbral Explorations in the cello and their influence in the solo cello and cello with electronic media repertoire in the 20th and 21st century. After this analysis, let us look how the paradigm shift in the timbre within the 20th and 21st centuries’ solo cello repertoire is related to two main facts that have evolved simultaneously during such periods: The development of the so called Extended Playing Techniques and the emergence of diverse musical trendsEl presente artículo busca estudiar el gran cambio en el timbre y en las técnicas de interpretación que se ha dado en la música para violonchelo solo desde el siglo xx hasta nuestros días. Timbre, como una compleja cualidad sonora, empezó a explorarse más y a adquirir mayor importancia en el repertorio para violonchelo solo a principios del siglo xx. Sin embargo, esta exploración no se desarrolla sino hasta después de los años cincuenta, cuando el timbre se consolida como elemento primario dentro del repertorio. En primer lugar, se analizó las nuevas exploraciones tímbricas en el violonchelo y su influencia en el desarrollo del repertorio a solo y con medios electrónicos en el siglo xx y xxi. Después de este análisis, se examinó cómo el cambio de paradigma tímbrico en las obras para violonchelo solo del siglo xx y principios del xxi está ligado principalmente a dos grandes acontecimientos que han evolucionado de manera simultánea durante los mismos siglos: el desarrollo de las llamadas técnicas extendidas y el surgimiento de diversas tendencias musicales.application/pdfspaUniversidad EAFIThttp://publicaciones.eafit.edu.co/index.php/ricercare/article/view/6215http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/6215Copyright © 2019 Sergio Andrés Castrillón ArcilaAcceso abiertohttp://purl.org/coar/access_right/c_abf2Ricercare; No 11From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncelloDel puntal al caracol nuevas perspectivas en el timbre y la técnica del violoncheloarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Timbretimbral explorationsextended techniquescello solo20th century musicTimbreexploraciones tímbricastécnicas extendidasviolonchelo solom´úsica del siglo XXCastrillón Arcila, Sergio AndrésUniversidad de HelsinkiRicercare113654THUMBNAILminaitura-ricercare_Mesa de trabajo 1[634].jpgminaitura-ricercare_Mesa de trabajo 1[634].jpgimage/jpeg182034https://repository.eafit.edu.co/bitstreams/eb7f2ba1-2b7a-4741-8ee7-7716351fc03b/downloada0d2ce2dd3fc2bd2c5aa7702f779f7ceMD51ORIGINALdocument - 2020-05-10T093933.313.pdfdocument - 2020-05-10T093933.313.pdfTexto completo PDFapplication/pdf1009634https://repository.eafit.edu.co/bitstreams/50fbe6fe-d2e2-44a5-a36e-27e98cd7e49b/download97d06aecd4a6e3b35df6f24ba9b611e0MD52articulo.htmlarticulo.htmlTexto completo HTMLtext/html373https://repository.eafit.edu.co/bitstreams/337cf601-0156-441a-a645-30f4a5858100/download4c6acd28cbfbc162fdb9fccafa3b6badMD5310784/16110oai:repository.eafit.edu.co:10784/161102020-09-01 17:34:27.315open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co |
| dc.title.eng.fl_str_mv |
From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello |
| dc.title.spa.fl_str_mv |
Del puntal al caracol nuevas perspectivas en el timbre y la técnica del violonchelo |
| title |
From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello |
| spellingShingle |
From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello Timbre timbral explorations extended techniques cello solo 20th century music Timbre exploraciones tímbricas técnicas extendidas violonchelo solo m´úsica del siglo XX |
| title_short |
From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello |
| title_full |
From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello |
| title_fullStr |
From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello |
| title_full_unstemmed |
From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello |
| title_sort |
From the soundpost to the scroll. New perspectives in the timbre and technique of the violoncello |
| dc.creator.fl_str_mv |
Castrillón Arcila, Sergio Andrés |
| dc.contributor.author.spa.fl_str_mv |
Castrillón Arcila, Sergio Andrés |
| dc.contributor.affiliation.spa.fl_str_mv |
Universidad de Helsinki |
| dc.subject.keyword.eng.fl_str_mv |
Timbre timbral explorations extended techniques cello solo 20th century music |
| topic |
Timbre timbral explorations extended techniques cello solo 20th century music Timbre exploraciones tímbricas técnicas extendidas violonchelo solo m´úsica del siglo XX |
| dc.subject.keyword.spa.fl_str_mv |
Timbre exploraciones tímbricas técnicas extendidas violonchelo solo m´úsica del siglo XX |
| description |
This article studies the change in the timbre and the playing techniques within the solo cello repertoire from the 20th century onward. Timbre as a complex sound element started to be more explored and to become more important in the solo cello literature in the beginning of the 20th century. However, this exploration was fully developed around 1950’s when timbre is considered a crucial feature within the repertoire. First of all let us analyze the New Timbral Explorations in the cello and their influence in the solo cello and cello with electronic media repertoire in the 20th and 21st century. After this analysis, let us look how the paradigm shift in the timbre within the 20th and 21st centuries’ solo cello repertoire is related to two main facts that have evolved simultaneously during such periods: The development of the so called Extended Playing Techniques and the emergence of diverse musical trends |
| publishDate |
2019 |
| dc.date.issued.none.fl_str_mv |
2019-06-28 |
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2020-04-29T18:37:18Z |
| dc.date.accessioned.none.fl_str_mv |
2020-04-29T18:37:18Z |
| dc.date.none.fl_str_mv |
2019-06-28 |
| dc.type.eng.fl_str_mv |
article info:eu-repo/semantics/article publishedVersion info:eu-repo/semantics/publishedVersion |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/resource_type/c_2df8fbb1 |
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Artículo |
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publishedVersion |
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2346-4879 |
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http://hdl.handle.net/10784/16110 |
| dc.identifier.doi.none.fl_str_mv |
10.17230/ricercare.2019.11.2 |
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2346-4879 10.17230/ricercare.2019.11.2 |
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http://hdl.handle.net/10784/16110 |
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spa |
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spa |
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http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/6215 |
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http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/6215 |
| dc.rights.eng.fl_str_mv |
Copyright © 2019 Sergio Andrés Castrillón Arcila |
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http://purl.org/coar/access_right/c_abf2 |
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Acceso abierto |
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Copyright © 2019 Sergio Andrés Castrillón Arcila Acceso abierto http://purl.org/coar/access_right/c_abf2 |
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application/pdf |
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Universidad EAFIT |
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Ricercare; No 11 |
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