Extravagancias organológicas: una revisión de la iconografía musical en el arte latinoamericano contemporáneo

Musical iconography is considered a discipline that arises as an alternative of descriptive and explanatory analysis of the musical elements that appear in the plastic arts. Through the evaluation of the images, the researcher obtained data that contribute to the knowledge of the organizational aspe...

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Autores:
Rodríguez Tabata, María Carolina
Tipo de recurso:
Fecha de publicación:
2015
Institución:
Universidad EAFIT
Repositorio:
Repositorio EAFIT
Idioma:
spa
OAI Identifier:
oai:repository.eafit.edu.co:10784/15274
Acceso en línea:
http://hdl.handle.net/10784/15274
Palabra clave:
Organology
Musical Iconography
Contemporary Art
Latin America
Organología
Iconografía Musical
Arte Contemporáneo
Latinoamérica
Rights
License
Copyright (c) 2015 María Carolina Rodríguez Tabata
Description
Summary:Musical iconography is considered a discipline that arises as an alternative of descriptive and explanatory analysis of the musical elements that appear in the plastic arts. Through the evaluation of the images, the researcher obtained data that contribute to the knowledge of the organizational aspects, the execution of the instruments and the vocal performance, the portraits, the scenographies, the constitution of the musical groups, the context and other elements that allow to contribute to the history of music. Therefore, in the mid-twentieth century it was established as a study methodology, primarily in favor of musicology. In this article we propose a brief review of some cases of contemporary Latin American art, in which we can observe that, despite the deformity of the musical elements, suggested by the innovative and avant-garde styles of the twentieth and twenty-first centuries, they are the visual arts A source for musicological data collection.