Comments on unintelligibility

This text consists of a review of the main concepts on which the work for string quartet "Comments on unintelligibility" is based. The purpose of this preamble is to present the concerns that the composer had at the time of writing his work. The above, through reflection on some of the ide...

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Autores:
Díaz Villegas, Tomás
Tipo de recurso:
Fecha de publicación:
2015
Institución:
Universidad EAFIT
Repositorio:
Repositorio EAFIT
Idioma:
spa
OAI Identifier:
oai:repository.eafit.edu.co:10784/15286
Acceso en línea:
http://hdl.handle.net/10784/15286
Palabra clave:
Musical Grammar
Unintelligibility
Cognitive Limits
Musical Complexity.
Gramática Musical
Ininteligibilidad
Límites Cognitivos
Complejidad Musical.
Rights
License
Copyright (c) 2015 Tomás Díaz Villegas
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spelling Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees2015-08-142019-12-09T15:45:41Z2015-08-142019-12-09T15:45:41Z2346-47472346-4879http://hdl.handle.net/10784/1528610.17230/ricercare.2014.2.9This text consists of a review of the main concepts on which the work for string quartet "Comments on unintelligibility" is based. The purpose of this preamble is to present the concerns that the composer had at the time of writing his work. The above, through reflection on some of the ideas presented by Lerdahl (1992) in relation, first, with the compositional systems and, second, with how the resulting works are perceived and understood by the listener through the cognitive limits that he proposes. Following this preamble, the reader can find the score of the work already mentioned.El presente texto consiste en una revisión de los conceptos principales sobre los que se basa la obra para cuarteto de cuerdas “Comentarios sobre la ininteligibilidad”. El propósito de este preámbulo es presentar las preocupaciones que tuvo el compositor en el momento de escribir su obra. Lo anterior, a través de la reflexión sobre algunas de las ideas presentadas por Lerdahl (1992) en relación, primero, con los sistemas compositivos y, segundo, con cómo las obras resultantes son percibidas y entendidas por el oyente mediante los límites cognitivos que él propone. Seguida de este preámbulo, el lector podrá encontrar, la partitura de la obra ya mencionada.application/pdfspaUniversidad EAFITRicercare; Vol 2014, No 2 (2015)http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/3118http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/3118Copyright (c) 2015 Tomás Díaz VillegasAcceso abiertohttp://purl.org/coar/access_right/c_abf2instname:Universidad EAFITreponame:Repositorio Institucional Universidad EAFITRicercare; Vol 2014, No 2 (2015)Comments on unintelligibilityComentarios sobre la ininteligibilidadarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Musical GrammarUnintelligibilityCognitive LimitsMusical Complexity.Gramática MusicalIninteligibilidadLímites CognitivosComplejidad Musical.Díaz Villegas, TomásUniversidad EAFITRicercare20142162178ricercareTHUMBNAILminaitura-ricercare_Mesa de trabajo 1[634].jpgminaitura-ricercare_Mesa de trabajo 1[634].jpgimage/jpeg182034https://repository.eafit.edu.co/bitstreams/ffcf7a16-c252-4e3b-8a7b-3ad7552bbb39/downloada0d2ce2dd3fc2bd2c5aa7702f779f7ceMD51ORIGINALdocument - 2020-03-11T140608.257.pdfdocument - 2020-03-11T140608.257.pdfTexto completo PDFapplication/pdf7214599https://repository.eafit.edu.co/bitstreams/4cce3ca0-fd77-49c1-a2ed-7423ed55faff/download88b624d6af00521f016047900571d4fbMD52articulo.htmlarticulo.htmlTexto completo HTMLtext/html373https://repository.eafit.edu.co/bitstreams/e93d73c9-c17f-471f-be4e-b60b23702dc4/downloadc83a5a5016a35f8a906249508c66cf3fMD5310784/15286oai:repository.eafit.edu.co:10784/152862020-03-11 14:07:13.785open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co
dc.title.eng.fl_str_mv Comments on unintelligibility
dc.title.spa.fl_str_mv Comentarios sobre la ininteligibilidad
title Comments on unintelligibility
spellingShingle Comments on unintelligibility
Musical Grammar
Unintelligibility
Cognitive Limits
Musical Complexity.
Gramática Musical
Ininteligibilidad
Límites Cognitivos
Complejidad Musical.
title_short Comments on unintelligibility
title_full Comments on unintelligibility
title_fullStr Comments on unintelligibility
title_full_unstemmed Comments on unintelligibility
title_sort Comments on unintelligibility
dc.creator.fl_str_mv Díaz Villegas, Tomás
dc.contributor.author.spa.fl_str_mv Díaz Villegas, Tomás
dc.contributor.affiliation.spa.fl_str_mv Universidad EAFIT
dc.subject.keyword.eng.fl_str_mv Musical Grammar
Unintelligibility
Cognitive Limits
Musical Complexity.
topic Musical Grammar
Unintelligibility
Cognitive Limits
Musical Complexity.
Gramática Musical
Ininteligibilidad
Límites Cognitivos
Complejidad Musical.
dc.subject.keyword.spa.fl_str_mv Gramática Musical
Ininteligibilidad
Límites Cognitivos
Complejidad Musical.
description This text consists of a review of the main concepts on which the work for string quartet "Comments on unintelligibility" is based. The purpose of this preamble is to present the concerns that the composer had at the time of writing his work. The above, through reflection on some of the ideas presented by Lerdahl (1992) in relation, first, with the compositional systems and, second, with how the resulting works are perceived and understood by the listener through the cognitive limits that he proposes. Following this preamble, the reader can find the score of the work already mentioned.
publishDate 2015
dc.date.issued.none.fl_str_mv 2015-08-14
dc.date.available.none.fl_str_mv 2019-12-09T15:45:41Z
dc.date.accessioned.none.fl_str_mv 2019-12-09T15:45:41Z
dc.date.none.fl_str_mv 2015-08-14
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2346-4879
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/10784/15286
dc.identifier.doi.none.fl_str_mv 10.17230/ricercare.2014.2.9
identifier_str_mv 2346-4747
2346-4879
10.17230/ricercare.2014.2.9
url http://hdl.handle.net/10784/15286
dc.language.iso.none.fl_str_mv spa
language spa
dc.relation.ispartof.none.fl_str_mv Ricercare; Vol 2014, No 2 (2015)
dc.relation.isversionof.none.fl_str_mv http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/3118
dc.relation.uri.none.fl_str_mv http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/3118
dc.rights.eng.fl_str_mv Copyright (c) 2015 Tomás Díaz Villegas
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.local.spa.fl_str_mv Acceso abierto
rights_invalid_str_mv Copyright (c) 2015 Tomás Díaz Villegas
Acceso abierto
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.coverage.spatial.eng.fl_str_mv Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees
dc.publisher.spa.fl_str_mv Universidad EAFIT
dc.source.none.fl_str_mv instname:Universidad EAFIT
reponame:Repositorio Institucional Universidad EAFIT
dc.source.spa.fl_str_mv Ricercare; Vol 2014, No 2 (2015)
instname_str Universidad EAFIT
institution Universidad EAFIT
reponame_str Repositorio Institucional Universidad EAFIT
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