Daniela Serna: From the Expanding Text to the Limits of Shape
Daniela Serna (Medellín, 1991) conducts research and creates works of art on the transition between a literary verbal object and a visual artifact of a plastic and esthetic nature. Her work expands on the idea of formal literature, where the temporal and sensorial dimensions are in the reader’s imag...
- Autores:
-
Mora Meléndez, Fernando
- Tipo de recurso:
- Fecha de publicación:
- 2020
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/17653
- Acceso en línea:
- http://hdl.handle.net/10784/17653
- Palabra clave:
- Colombian art
Conceptual art
Visual poetry
Concretism
Word art
Comparative literature
Arte colombiano
Arte conceptual
Poesía visual
Concretismo
Arte palabra
Literatura comparada
- Rights
- License
- Copyright © 2020 Fernando Mora Meléndez
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Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees2020-06-242020-09-04T16:41:29Z2020-06-242020-09-04T16:41:29Z1794-5887http://hdl.handle.net/10784/17653Daniela Serna (Medellín, 1991) conducts research and creates works of art on the transition between a literary verbal object and a visual artifact of a plastic and esthetic nature. Her work expands on the idea of formal literature, where the temporal and sensorial dimensions are in the reader’s imagination, to propose visual poems that encourage an experience of meaning that augments or blurs the limits of what is possible. This review deals with a set of works, the core topic of which enables multiple readings, which are carefully selected using a collection of ideological, political, and esthetic signs that the artist brings into her work and that allow us to question the relationship between the represented fictional world and the reader or observer’s representation.Daniela Serna (Medellín, 1991) investiga y crea sobre el tránsito que se produce entre el objeto verbal de origen literario y el artefacto visual de carácter plástico y estético. Su obra expande la idea de la literatura formal, donde las dimensiones temporales y sensoriales se experimentan en la imaginación del lector, para proponer poemas visuales en los cuales propicia una experiencia de sentido que amplifica o diluye los límites de lo posible. En esta reseña se abordan un conjunto de obras, cuyo eje central permite múltiples lecturas, tamizadas por una reserva de signos ideológicos, políticos y estéticos en los cuales la artista inscribe su obra, y que permiten interrogar la relación entre el mundo ficcional representado y la representación que el lector/espectador realiza.application/pdfspaUniversidad EAFIThttps://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/6307https://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/6307Copyright © 2020 Fernando Mora MeléndezAcceso abiertohttp://purl.org/coar/access_right/c_abf2Co-herencia, Vol. 17, Núm. 32 (2020)Daniela Serna: From the Expanding Text to the Limits of ShapeDaniela Serna: del texto en expansión a los límites de la formaarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Colombian artConceptual artVisual poetryConcretismWord artComparative literatureArte colombianoArte conceptualPoesía visualConcretismoArte palabraLiteratura comparadaMora Meléndez, Fernando30f94ed1-31e5-4476-a440-2b647e6fa4fe-1Universidad EAFITCo-herencia1732297304THUMBNAILminiatura-coherencia.jpgminiatura-coherencia.jpgimage/jpeg230829https://repository.eafit.edu.co/bitstreams/f324935a-f259-4bd2-b601-109b0c681599/download6c3e6ec217fd7c11f79cdda26d9319a2MD51ORIGINAL6307-Texto del artículo-21898-2-10-20200624.pdf6307-Texto del artículo-21898-2-10-20200624.pdfTexto completo PDFapplication/pdf550194https://repository.eafit.edu.co/bitstreams/8461d8ab-8ddf-4e74-8cd6-664536a44248/download693f9b02e5bdca7dbb730ea69fe6c2b7MD52articulo - copia.htmlarticulo - copia.htmlTexto completo HTMLtext/html376https://repository.eafit.edu.co/bitstreams/1b9b1e31-3336-4a41-a1bd-b59369803a41/downloadd7daebb0c342a1cfd2a8ec230d5130b8MD5310784/17653oai:repository.eafit.edu.co:10784/176532024-12-04 11:47:59.445open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co |
| dc.title.eng.fl_str_mv |
Daniela Serna: From the Expanding Text to the Limits of Shape |
| dc.title.spa.fl_str_mv |
Daniela Serna: del texto en expansión a los límites de la forma |
| title |
Daniela Serna: From the Expanding Text to the Limits of Shape |
| spellingShingle |
Daniela Serna: From the Expanding Text to the Limits of Shape Colombian art Conceptual art Visual poetry Concretism Word art Comparative literature Arte colombiano Arte conceptual Poesía visual Concretismo Arte palabra Literatura comparada |
| title_short |
Daniela Serna: From the Expanding Text to the Limits of Shape |
| title_full |
Daniela Serna: From the Expanding Text to the Limits of Shape |
| title_fullStr |
Daniela Serna: From the Expanding Text to the Limits of Shape |
| title_full_unstemmed |
Daniela Serna: From the Expanding Text to the Limits of Shape |
| title_sort |
Daniela Serna: From the Expanding Text to the Limits of Shape |
| dc.creator.fl_str_mv |
Mora Meléndez, Fernando |
| dc.contributor.author.spa.fl_str_mv |
Mora Meléndez, Fernando |
| dc.contributor.affiliation.spa.fl_str_mv |
Universidad EAFIT |
| dc.subject.keyword.eng.fl_str_mv |
Colombian art Conceptual art Visual poetry Concretism Word art Comparative literature |
| topic |
Colombian art Conceptual art Visual poetry Concretism Word art Comparative literature Arte colombiano Arte conceptual Poesía visual Concretismo Arte palabra Literatura comparada |
| dc.subject.keyword.spa.fl_str_mv |
Arte colombiano Arte conceptual Poesía visual Concretismo Arte palabra Literatura comparada |
| description |
Daniela Serna (Medellín, 1991) conducts research and creates works of art on the transition between a literary verbal object and a visual artifact of a plastic and esthetic nature. Her work expands on the idea of formal literature, where the temporal and sensorial dimensions are in the reader’s imagination, to propose visual poems that encourage an experience of meaning that augments or blurs the limits of what is possible. This review deals with a set of works, the core topic of which enables multiple readings, which are carefully selected using a collection of ideological, political, and esthetic signs that the artist brings into her work and that allow us to question the relationship between the represented fictional world and the reader or observer’s representation. |
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2020 |
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2020-09-04T16:41:29Z |
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2020-06-24 |
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2020-09-04T16:41:29Z |
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2020-06-24 |
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Artículo |
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publishedVersion |
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1794-5887 |
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http://hdl.handle.net/10784/17653 |
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spa |
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spa |
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Copyright © 2020 Fernando Mora Meléndez |
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Copyright © 2020 Fernando Mora Meléndez Acceso abierto http://purl.org/coar/access_right/c_abf2 |
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application/pdf |
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Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees |
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Universidad EAFIT |
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