The concert for piano and orchestra Delly Inkir by Mario Gómez Vignes an experience according to the performer

The present article revolves around the experiences lived by the interpreter from the point of view of his conception, preparation and premiere, abstracting the difficulties and virtues that were drawn in the process. How do you get to release a concert by a composer so relevant? Why his name: Delly Inkir? How is the premiere of a concert prepared? What difficulties can we overcome in its preparation? Are some of the questions that the players get to ask when facing the premiere of a musical work. When proposing this writing, the author considers that it is of vital importance to contribute to form an analytical and observant opinion of what role the interpreters generate when accepting the challenge of premiering a work, either in a symphonic or chamber format.

• Autores: Mora Morales, Óscar Eduardo
• Fecha de publicación: 2015
• Institución: Universidad EAFIT
• Repositorio: Repositorio EAFIT
• Idioma: spa
• OAI Identifier: oai:repository.eafit.edu.co:10784/15284
• Acceso en línea: http://hdl.handle.net/10784/15284
• Palabra clave: Piano; Piano Concert; Latin American Music; Latin American Composers; Performers; Contemporary Music; World Premiere; Piano Competitions; Mario Gómez-Vignes.; Piano; Concierto Para Piano; Música Latinoamericana; Compositores Latinoamericanos; Intérpretes; Música Contemporánea; Estreno Mundial; Concursos De Piano; Mario Gómez-Vignes.
• License: Copyright (c) 2015 Óscar Eduardo Mora Morales