Sol de América: a teaching model for contemporary orquestation

Sol de América (1981-1982) is a composition for narrator, choir and orchestra by the Uruguayan composer Antonio Mastrogiovanni (1936-2010). The present study adopts the hermeneutic method (Nattiez, 1990) to give an account of this work based on the analysis of its orchestration. In this case, textur...

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Autores:
Sans, Juan Francisco
Tipo de recurso:
Fecha de publicación:
2019
Institución:
Universidad EAFIT
Repositorio:
Repositorio EAFIT
Idioma:
spa
OAI Identifier:
oai:repository.eafit.edu.co:10784/16109
Acceso en línea:
http://hdl.handle.net/10784/16109
Palabra clave:
Antonio Mastrogiovanni
Manuel Felipe Rugeles
orchestration
musical analysis
hermeneutic method
Antonio Mastrogiovanni
Manuel Felipe Rugeles
orquestación
análisis musical
método hermenéutico
Rights
License
Copyright © 2019 Juan Francisco Sans
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spelling 2019-06-282020-04-29T18:37:18Z2019-06-282020-04-29T18:37:18Z2346-4879http://hdl.handle.net/10784/1610910.17230/ricercare.2019.11.1Sol de América (1981-1982) is a composition for narrator, choir and orchestra by the Uruguayan composer Antonio Mastrogiovanni (1936-2010). The present study adopts the hermeneutic method (Nattiez, 1990) to give an account of this work based on the analysis of its orchestration. In this case, textures, timbres and sonorities are given precedence over harmony, pitch or form, parameters that are usually prioritized in most analytical methods. As a result, an unprecedented vision of music is obtained from a perspective that permits the discovery of the strongly cohesive properties of the orchestrationSol de América (1981-1982) es una composición para narrador, coro y orquesta del compositor uruguayo Antonio Mastrogiovanni (1936-2010). El presente estudio utiliza el método hermenéutico (Nattiez, 1990) para dar cuenta de esta obra a partir del análisis de su orquestación. En este caso, se le da preeminencia a las texturas, timbres y sonoridades por encima de la armonía, las alturas o la forma, parámetros que usualmente se priorizan en la mayoría de los métodos analíticos. Como resultado se obtiene una visión inédita de la música, desde una perspectiva que permite descubrir las propiedades fuertemente cohesivas de la orquestación.application/pdfspaUniversidad EAFIThttp://publicaciones.eafit.edu.co/index.php/ricercare/article/view/6206http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/6206Copyright © 2019 Juan Francisco SansAcceso abiertohttp://purl.org/coar/access_right/c_abf2Ricercare; No 11Sol de América: a teaching model for contemporary orquestationSol de américa: una cátedra de orquestación contemporáneaarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Antonio MastrogiovanniManuel Felipe Rugelesorchestrationmusical analysishermeneutic methodAntonio MastrogiovanniManuel Felipe Rugelesorquestaciónanálisis musicalmétodo hermenéuticoSans, Juan FranciscoInstituto Tecnológico MetropolitanoRicercare11835THUMBNAILminaitura-ricercare_Mesa de trabajo 1[634].jpgminaitura-ricercare_Mesa de trabajo 1[634].jpgimage/jpeg182034https://repository.eafit.edu.co/bitstreams/074f0e34-a511-40e3-a94f-9c1887c8b65b/downloada0d2ce2dd3fc2bd2c5aa7702f779f7ceMD51ORIGINALdocument - 2020-05-10T093744.848.pdfdocument - 2020-05-10T093744.848.pdfTexto completo PDFapplication/pdf1041877https://repository.eafit.edu.co/bitstreams/c6a1a13f-fecf-4805-880d-e9a18d85a888/download03d997295c9c56aa344f1adac33dd858MD52articulo.htmlarticulo.htmlTexto completo HTMLtext/html373https://repository.eafit.edu.co/bitstreams/5ce65fd2-bf13-492f-be53-c11ea957240a/download28cfe330605053357f9f9cf0f24fe98dMD5310784/16109oai:repository.eafit.edu.co:10784/161092020-09-01 17:33:37.147open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co
dc.title.eng.fl_str_mv Sol de América: a teaching model for contemporary orquestation
dc.title.spa.fl_str_mv Sol de américa: una cátedra de orquestación contemporánea
title Sol de América: a teaching model for contemporary orquestation
spellingShingle Sol de América: a teaching model for contemporary orquestation
Antonio Mastrogiovanni
Manuel Felipe Rugeles
orchestration
musical analysis
hermeneutic method
Antonio Mastrogiovanni
Manuel Felipe Rugeles
orquestación
análisis musical
método hermenéutico
title_short Sol de América: a teaching model for contemporary orquestation
title_full Sol de América: a teaching model for contemporary orquestation
title_fullStr Sol de América: a teaching model for contemporary orquestation
title_full_unstemmed Sol de América: a teaching model for contemporary orquestation
title_sort Sol de América: a teaching model for contemporary orquestation
dc.creator.fl_str_mv Sans, Juan Francisco
dc.contributor.author.spa.fl_str_mv Sans, Juan Francisco
dc.contributor.affiliation.spa.fl_str_mv Instituto Tecnológico Metropolitano
dc.subject.keyword.eng.fl_str_mv Antonio Mastrogiovanni
Manuel Felipe Rugeles
orchestration
musical analysis
hermeneutic method
topic Antonio Mastrogiovanni
Manuel Felipe Rugeles
orchestration
musical analysis
hermeneutic method
Antonio Mastrogiovanni
Manuel Felipe Rugeles
orquestación
análisis musical
método hermenéutico
dc.subject.keyword.spa.fl_str_mv Antonio Mastrogiovanni
Manuel Felipe Rugeles
orquestación
análisis musical
método hermenéutico
description Sol de América (1981-1982) is a composition for narrator, choir and orchestra by the Uruguayan composer Antonio Mastrogiovanni (1936-2010). The present study adopts the hermeneutic method (Nattiez, 1990) to give an account of this work based on the analysis of its orchestration. In this case, textures, timbres and sonorities are given precedence over harmony, pitch or form, parameters that are usually prioritized in most analytical methods. As a result, an unprecedented vision of music is obtained from a perspective that permits the discovery of the strongly cohesive properties of the orchestration
publishDate 2019
dc.date.issued.none.fl_str_mv 2019-06-28
dc.date.available.none.fl_str_mv 2020-04-29T18:37:18Z
dc.date.accessioned.none.fl_str_mv 2020-04-29T18:37:18Z
dc.date.none.fl_str_mv 2019-06-28
dc.type.eng.fl_str_mv article
info:eu-repo/semantics/article
publishedVersion
info:eu-repo/semantics/publishedVersion
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http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.local.spa.fl_str_mv Artículo
status_str publishedVersion
dc.identifier.issn.none.fl_str_mv 2346-4879
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/10784/16109
dc.identifier.doi.none.fl_str_mv 10.17230/ricercare.2019.11.1
identifier_str_mv 2346-4879
10.17230/ricercare.2019.11.1
url http://hdl.handle.net/10784/16109
dc.language.iso.none.fl_str_mv spa
language spa
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dc.relation.uri.none.fl_str_mv http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/6206
dc.rights.eng.fl_str_mv Copyright © 2019 Juan Francisco Sans
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.local.spa.fl_str_mv Acceso abierto
rights_invalid_str_mv Copyright © 2019 Juan Francisco Sans
Acceso abierto
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad EAFIT
dc.source.spa.fl_str_mv Ricercare; No 11
institution Universidad EAFIT
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