Portrait: Image of man and the origin of art
Sometimes, art theory addresses the same type of image from discursive disparity. This is the case of the portrait, whose imprecise definition complicates its conceptual and formal definition within the limits of the Western culture. Although this text does not intend to resolve doubts about one of...
- Autores:
-
Vázquez Cuoto, David
- Tipo de recurso:
- Fecha de publicación:
- 2021
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/30997
- Acceso en línea:
- http://hdl.handle.net/10784/30997
- Palabra clave:
- Art
image
individual
painting
representation
portrait
likeness
Arte
imagen
individuo
pintura
representación
retrato
semejanza
- Rights
- License
- Copyright © 2021 David Vázquez Cuoto
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Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees2021-12-152022-03-23T16:59:31Z2021-12-152022-03-23T16:59:31Z1794-58872539-1220http://hdl.handle.net/10784/30997Sometimes, art theory addresses the same type of image from discursive disparity. This is the case of the portrait, whose imprecise definition complicates its conceptual and formal definition within the limits of the Western culture. Although this text does not intend to resolve doubts about one of the most significant questions in art—even the question of art, if portraits are born with it—it does attempt to show the difficulties in reaching an agreement on the conventions that define it, from its antecedents in Antiquity and its establishment in modern times, up to the advent of its contemporary crisis that some authors attribute to the saturation suffered by the image in mass society, and others, to the new artistic paradigm that is imposed from Impressionism onwards.En ocasiones la teoría del arte aborda un mismo tipo de imagen desde la disparidad discursiva. Este es el caso del retrato, cuya imprecisa definición complica su acotación conceptual y formal en los límites de la cultura occidental. Si bien este texto no pretende resolver las dudas en torno a uno de los problemas más significativos del arte -incluso el problema del arte, si es que el retrato nace con él-, sí se propone mostrar las dificultades para llegar a un acuerdo sobre las convenciones que lo definen, desde sus antecedentes en la Antigüedad y su consolidación durante la Modernidad, hasta el advenimiento de su crisis contemporánea que algunos autores atribuyen a la saturación que sufre el rostro en la sociedad de masas, y otros, al nuevo paradigma artístico que se impone a partir del impresionismo. application/pdfspaUniversidad EAFIThttps://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/6747https://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/6747Copyright © 2021 David Vázquez CuotoAcceso abiertohttp://purl.org/coar/access_right/c_abf2Co-herencia, Vol. 18, Núm. 35 (2021)Portrait: Image of man and the origin of artRetrato: imagen del hombre y origen del arteinfo:eu-repo/semantics/articlearticleinfo:eu-repo/semantics/publishedVersionpublishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1ArtimageindividualpaintingrepresentationportraitlikenessArteimagenindividuopinturarepresentaciónretratosemejanzaVázquez Cuoto, DavidUniversidad de SalamancaCo-herencia1835341378ORIGINALRetrato imagen del hombre.pdfRetrato imagen del hombre.pdfTexto completo PDFapplication/pdf739369https://repository.eafit.edu.co/bitstreams/eb2ec727-4400-4677-83af-669a98f911c6/download5f216597e98433dc64cdab01fadea586MD51Portrait Image of man.htmlPortrait Image of man.htmlTexto completo HTMLtext/html292https://repository.eafit.edu.co/bitstreams/ead1d220-4e90-4445-b9b8-a273c7695926/download8531ca032a7b5f0d5358def7080ba347MD53THUMBNAILminiatura-coherencia.jpgminiatura-coherencia.jpgimage/jpeg230829https://repository.eafit.edu.co/bitstreams/a1d75f2b-2b1e-4249-9a22-1f2fafd67467/download6c3e6ec217fd7c11f79cdda26d9319a2MD5210784/30997oai:repository.eafit.edu.co:10784/309972022-05-16 03:02:41.426open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co |
| dc.title.eng.fl_str_mv |
Portrait: Image of man and the origin of art |
| dc.title.spa.fl_str_mv |
Retrato: imagen del hombre y origen del arte |
| title |
Portrait: Image of man and the origin of art |
| spellingShingle |
Portrait: Image of man and the origin of art Art image individual painting representation portrait likeness Arte imagen individuo pintura representación retrato semejanza |
| title_short |
Portrait: Image of man and the origin of art |
| title_full |
Portrait: Image of man and the origin of art |
| title_fullStr |
Portrait: Image of man and the origin of art |
| title_full_unstemmed |
Portrait: Image of man and the origin of art |
| title_sort |
Portrait: Image of man and the origin of art |
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Vázquez Cuoto, David |
| dc.contributor.author.spa.fl_str_mv |
Vázquez Cuoto, David |
| dc.contributor.affiliation.spa.fl_str_mv |
Universidad de Salamanca |
| dc.subject.keyword.eng.fl_str_mv |
Art image individual painting representation portrait likeness |
| topic |
Art image individual painting representation portrait likeness Arte imagen individuo pintura representación retrato semejanza |
| dc.subject.keyword.spa.fl_str_mv |
Arte imagen individuo pintura representación retrato semejanza |
| description |
Sometimes, art theory addresses the same type of image from discursive disparity. This is the case of the portrait, whose imprecise definition complicates its conceptual and formal definition within the limits of the Western culture. Although this text does not intend to resolve doubts about one of the most significant questions in art—even the question of art, if portraits are born with it—it does attempt to show the difficulties in reaching an agreement on the conventions that define it, from its antecedents in Antiquity and its establishment in modern times, up to the advent of its contemporary crisis that some authors attribute to the saturation suffered by the image in mass society, and others, to the new artistic paradigm that is imposed from Impressionism onwards. |
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2021 |
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2022-03-23T16:59:31Z |
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spa |
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Copyright © 2021 David Vázquez Cuoto |
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Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees |
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Universidad EAFIT |
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