Musical interpretation as a habit: diversity in the music department of EAFIT University from a semiotic perspective
In this article the author reflects, in the light of Peircean semiotics, about the diversity that occurs in the musical interpretation from the score, in the different lines of emphasis that houses the Department of Music of the EAFIT University . Similarly, critically review some of the foundationa...
- Autores:
-
Vinasco Guzmán, Javier Asdrúbal
- Tipo de recurso:
- Fecha de publicación:
- 2018
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/15242
- Acceso en línea:
- http://hdl.handle.net/10784/15242
- Palabra clave:
- Peirceana
Peirceana
- Rights
- License
- Copyright (c) 2018 Javier Asdrúbal Vinasco Guzmán
| Summary: | In this article the author reflects, in the light of Peircean semiotics, about the diversity that occurs in the musical interpretation from the score, in the different lines of emphasis that houses the Department of Music of the EAFIT University . Similarly, critically review some of the foundational paradigms common to almost all schools of the so-called Western cult music, such as its historical anti-logocentric position, the preeminence of the auctoris attempt over other intentions in interpretation, the canon of classical music, the plurality of written text and the final interpreter as a habit of behavior, among others; with some digressions to the concepts of derridana différance and the Aristotelian distinction between poetry and praxis. |
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