Once upon a time there was a world, but poetry killed it: Maillard's position on the poetic and poetry in perspective

Chantal Maillard has been one of the most relevant thinkers of recent years. Her creative and bold approach has explored one of the most important tensions in today’s culture: that which results from the encounters and conflicts between philosophy and poetry. Starting from a Maillardian perspective,...

Full description

Autores:: García Escobar, Rubén Darío

Tipo de recurso:

Fecha de publicación:: 2022

Institución:: Universidad EAFIT

Repositorio:: Repositorio EAFIT

Idioma:: spa

id	REPOEAFIT2_07e056da9cc4e941d94464f94334e5ab
oai_identifier_str	oai:repository.eafit.edu.co:10784/33341
network_acronym_str	REPOEAFIT2
network_name_str	Repositorio EAFIT
repository_id_str
spelling	Universidad Pontificia BolivarianaGarcía Escobar, Rubén Darío20222024-02-16T20:59:16Z20222024-02-16T20:59:16Z1794-58872539-1197https://hdl.handle.net/10784/3334110.17230/co-herencia.19.37.8Chantal Maillard has been one of the most relevant thinkers of recent years. Her creative and bold approach has explored one of the most important tensions in today’s culture: that which results from the encounters and conflicts between philosophy and poetry. Starting from a Maillardian perspective, this article addresses the place of the poetic in today’s world. To this end, I argue that the distinction between poetry and poem is one of the central hypotheses of Maillard’s proposal. And this distinction allows us to understand that the poetic is part of the existential flux by which a specific phenomenon of the world can end and give rise to another, in response to the dissatisfactions that feed the desire for something other than what is already there, and that it is a response to the dissatisfactions that nourish the desire for something other than what is already there.Chantal Maillard ha sido una de las pensadoras más relevantes de los últimos años. Su método creativo y atrevido ha indagado en una de las tensiones más importantes de la cultura actual: aquella que resulta de los encuentros y conflictos entre filosofía y poesía. Partiendo de la perspectiva maillardiana, este artículo aborda el lugar de lo poético en el mundo actual. Para ello, se postula que la distinción entre poesía y poema es una de las hipótesis centrales de la propuesta de Maillard y es la que permite comprender que lo poético hace parte del flujo existencial por el que un fenómeno concreto de mundo puede acabar y dar lugar a otro, respondiendo a las insatisfacciones que alimentan el deseo por algo distinto a lo que ya-está.application/pdfspaUniversidad EAFIThttps://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/7226https://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/7226Copyright © 2022 Rubén Darío García EscobaropenAccessLibre accesohttp://purl.org/coar/access_right/c_abf2Co-herencia, Vol. 19, Núm. 37 (2022)Once upon a time there was a world, but poetry killed it: Maillard's position on the poetic and poetry in perspectiveÉrase una vez el mundo, pero la poesía lo mató: la postura maillardiana sobre lo poético y la poesía en perspectivaarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Chantal Maillardcreationphilosophy othernesspoetrypostmodernityaesthetic reasonChantal Maillardcreaciónfilosofía de la alteridadpoesíapostmodernidadrazón estéticaCo-herencia1937163190ORIGINALerase-una-vez-el-mundo.pdfTexto completoapplication/pdf342939https://repository.eafit.edu.co/bitstreams/04b7001c-bd19-422e-b8a0-11fdbc73c189/download301244945c30f5cfa9cd0cba8f6491aeMD51THUMBNAILminiatura-coherencia[536].jpgCarátulaimage/jpeg230829https://repository.eafit.edu.co/bitstreams/c911e752-c8e2-4a2d-9d6c-c282c0b88174/download6c3e6ec217fd7c11f79cdda26d9319a2MD5210784/33341oai:repository.eafit.edu.co:10784/333412024-02-16 16:45:46.383open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co
dc.title.eng.fl_str_mv	Once upon a time there was a world, but poetry killed it: Maillard's position on the poetic and poetry in perspective
dc.title.spa.fl_str_mv	Érase una vez el mundo, pero la poesía lo mató: la postura maillardiana sobre lo poético y la poesía en perspectiva
title	Once upon a time there was a world, but poetry killed it: Maillard's position on the poetic and poetry in perspective
spellingShingle	Once upon a time there was a world, but poetry killed it: Maillard's position on the poetic and poetry in perspective Chantal Maillard creation philosophy otherness poetry postmodernity aesthetic reason Chantal Maillard creación filosofía de la alteridad poesía postmodernidad razón estética
title_short	Once upon a time there was a world, but poetry killed it: Maillard's position on the poetic and poetry in perspective
title_full	Once upon a time there was a world, but poetry killed it: Maillard's position on the poetic and poetry in perspective
title_fullStr	Once upon a time there was a world, but poetry killed it: Maillard's position on the poetic and poetry in perspective
title_full_unstemmed	Once upon a time there was a world, but poetry killed it: Maillard's position on the poetic and poetry in perspective
title_sort	Once upon a time there was a world, but poetry killed it: Maillard's position on the poetic and poetry in perspective
dc.creator.fl_str_mv	García Escobar, Rubén Darío
dc.contributor.author.spa.fl_str_mv	García Escobar, Rubén Darío
dc.contributor.spa.fl_str_mv	Universidad Pontificia Bolivariana
dc.subject.keyword.eng.fl_str_mv	Chantal Maillard creation philosophy otherness poetry postmodernity aesthetic reason
topic	Chantal Maillard creation philosophy otherness poetry postmodernity aesthetic reason Chantal Maillard creación filosofía de la alteridad poesía postmodernidad razón estética
dc.subject.keyword.spa.fl_str_mv	Chantal Maillard creación filosofía de la alteridad poesía postmodernidad razón estética
description	Chantal Maillard has been one of the most relevant thinkers of recent years. Her creative and bold approach has explored one of the most important tensions in today’s culture: that which results from the encounters and conflicts between philosophy and poetry. Starting from a Maillardian perspective, this article addresses the place of the poetic in today’s world. To this end, I argue that the distinction between poetry and poem is one of the central hypotheses of Maillard’s proposal. And this distinction allows us to understand that the poetic is part of the existential flux by which a specific phenomenon of the world can end and give rise to another, in response to the dissatisfactions that feed the desire for something other than what is already there, and that it is a response to the dissatisfactions that nourish the desire for something other than what is already there.
publishDate	2022
dc.date.issued.none.fl_str_mv	2022
dc.date.available.none.fl_str_mv	2024-02-16T20:59:16Z
dc.date.accessioned.none.fl_str_mv	2024-02-16T20:59:16Z
dc.date.none.fl_str_mv	2022
dc.type.eng.fl_str_mv	article info:eu-repo/semantics/article publishedVersion info:eu-repo/semantics/publishedVersion
dc.type.coarversion.fl_str_mv	http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.coar.fl_str_mv	http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.spa.spa.fl_str_mv	Artículo
status_str	publishedVersion
dc.identifier.issn.none.fl_str_mv	1794-5887 2539-1197
dc.identifier.uri.none.fl_str_mv	https://hdl.handle.net/10784/33341
dc.identifier.doi.none.fl_str_mv	10.17230/co-herencia.19.37.8
identifier_str_mv	1794-5887 2539-1197 10.17230/co-herencia.19.37.8
url	https://hdl.handle.net/10784/33341
dc.language.iso.none.fl_str_mv	spa
language	spa
dc.relation.isversionof.none.fl_str_mv	https://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/7226
dc.relation.uri.none.fl_str_mv	https://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/7226
dc.rights.eng.fl_str_mv	Copyright © 2022 Rubén Darío García Escobar
dc.rights.coar.fl_str_mv	http://purl.org/coar/access_right/c_abf2
dc.rights.accessrights.eng.fl_str_mv	openAccess
dc.rights.acceso.spa.fl_str_mv	Libre acceso
rights_invalid_str_mv	Copyright © 2022 Rubén Darío García Escobar openAccess Libre acceso http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv	application/pdf
dc.publisher.spa.fl_str_mv	Universidad EAFIT
dc.source.spa.fl_str_mv	Co-herencia, Vol. 19, Núm. 37 (2022)
institution	Universidad EAFIT
bitstream.url.fl_str_mv	https://repository.eafit.edu.co/bitstreams/04b7001c-bd19-422e-b8a0-11fdbc73c189/download https://repository.eafit.edu.co/bitstreams/c911e752-c8e2-4a2d-9d6c-c282c0b88174/download
bitstream.checksum.fl_str_mv	301244945c30f5cfa9cd0cba8f6491ae 6c3e6ec217fd7c11f79cdda26d9319a2
bitstream.checksumAlgorithm.fl_str_mv	MD5 MD5
repository.name.fl_str_mv	Repositorio Institucional Universidad EAFIT
repository.mail.fl_str_mv	repositorio@eafit.edu.co
_version_	1814110361299714048

Once upon a time there was a world, but poetry killed it: Maillard's position on the poetic and poetry in perspective

Publicaciones similares