Once upon a time there was a world, but poetry killed it: Maillard's position on the poetic and poetry in perspective
Chantal Maillard has been one of the most relevant thinkers of recent years. Her creative and bold approach has explored one of the most important tensions in today’s culture: that which results from the encounters and conflicts between philosophy and poetry. Starting from a Maillardian perspective,...
- Autores:
-
García Escobar, Rubén Darío
- Tipo de recurso:
- Fecha de publicación:
- 2022
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/33341
- Acceso en línea:
- https://hdl.handle.net/10784/33341
- Palabra clave:
- Chantal Maillard
creation
philosophy otherness
poetry
postmodernity
aesthetic reason
Chantal Maillard
creación
filosofía de la alteridad
poesía
postmodernidad
razón estética
- Rights
- License
- Copyright © 2022 Rubén Darío García Escobar
| Summary: | Chantal Maillard has been one of the most relevant thinkers of recent years. Her creative and bold approach has explored one of the most important tensions in today’s culture: that which results from the encounters and conflicts between philosophy and poetry. Starting from a Maillardian perspective, this article addresses the place of the poetic in today’s world. To this end, I argue that the distinction between poetry and poem is one of the central hypotheses of Maillard’s proposal. And this distinction allows us to understand that the poetic is part of the existential flux by which a specific phenomenon of the world can end and give rise to another, in response to the dissatisfactions that feed the desire for something other than what is already there, and that it is a response to the dissatisfactions that nourish the desire for something other than what is already there. |
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