The "secret elements" of musical performance
During the nineteenth century, the figures of the composer and the musical performer split, giving rise to various positions about the scope of the role of the performer, as well as about the conception of the musical work and the score as its graphic equivalent. This article reviews several of them...
- Autores:
-
Vinasco Guzmán, Javier Asdrúbal
- Tipo de recurso:
- Fecha de publicación:
- 2013
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/15289
- Acceso en línea:
- http://hdl.handle.net/10784/15289
- Palabra clave:
- Musical Interpretation
Musical Performance
Semiotics
Gestures
Corporeality
Performance
Interpretación Musical
Ejecución Musical
Semiótica
Gestualidad
Corporeidad
Performance
- Rights
- License
- Copyright (c) 2013 Javier Asdrúbal Vinasco Guzmán
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Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees2013-12-072019-12-09T15:46:32Z2013-12-072019-12-09T15:46:32Z2346-47472346-4879http://hdl.handle.net/10784/1528910.17230/ricercare.2014.1.3During the nineteenth century, the figures of the composer and the musical performer split, giving rise to various positions about the scope of the role of the performer, as well as about the conception of the musical work and the score as its graphic equivalent. This article reviews several of them in which, nevertheless, it finds a common element that all recognize: the “inevitable” contribution of the performer. Contribution that is defined in the terms that establish the so-called cognitive-enactive musical semiotics, gestures and performance studies, to determine the participation of the body, and especially of the corporeality inherent in the execution, as an instance of significance and, to at the same time, vehicle of communication of the musical meaning built.Durante el siglo XIX, las figuras del compositor y del intérprete musical se escindieron, dando origen a diversas posturas acerca de los alcances del papel del ejecutante, así como sobre la concepción de la obra musical y de la partitura como su equivalente gráfico. Este artículo revisa varias de ellas en las que, no obstante, encuentra un elemento común que todas reconocen: el aporte “inevitable” del ejecutante. Aporte que se define en los términos que establecen la denominada semiótica musical cognitivo–enactiva, la gestualidad y los estudios de performance, para determinar la participación del cuerpo, y sobre todo de la corporeidad inherente a la ejecución, como instancia de significación y, a la vez, vehículo de comunicación del significado musical construido.application/pdfspaUniversidad EAFITRicercare; Vol 2014, No 1 (2013)http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/2319http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/2319Copyright (c) 2013 Javier Asdrúbal Vinasco GuzmánAcceso abiertohttp://purl.org/coar/access_right/c_abf2instname:Universidad EAFITreponame:Repositorio Institucional Universidad EAFITRicercare; Vol 2014, No 1 (2013)The "secret elements" of musical performanceLos "elementos secretos" de la ejecución musicalarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Musical InterpretationMusical PerformanceSemioticsGesturesCorporealityPerformanceInterpretación MusicalEjecución MusicalSemióticaGestualidadCorporeidadPerformanceVinasco Guzmán, Javier AsdrúbalUniversidad EAFITRicercare201414958ricercareORIGINALdocument - 2020-03-11T141329.538.pdfdocument - 2020-03-11T141329.538.pdfTexto completo PDFapplication/pdf390732https://repository.eafit.edu.co/bitstreams/1dc93269-18b8-4a73-ac5c-e02837bc6c48/downloadfa92f6b5a8adb4f7100e01b532e6ce7dMD52articulo - copia (4).htmlarticulo - copia (4).htmlTexto completo HTMLtext/html373https://repository.eafit.edu.co/bitstreams/8eae0816-c91c-4dd3-a25d-ab9c5414b429/downloadf17ffd3edd1b2dbee4394cc6614d9da9MD53THUMBNAILminaitura-ricercare_Mesa de trabajo 1[634].jpgminaitura-ricercare_Mesa de trabajo 1[634].jpgimage/jpeg182034https://repository.eafit.edu.co/bitstreams/9f88ed62-d0db-4617-ae87-61da60c13d56/downloada0d2ce2dd3fc2bd2c5aa7702f779f7ceMD5110784/15289oai:repository.eafit.edu.co:10784/152892020-03-11 14:14:30.688open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co |
| dc.title.eng.fl_str_mv |
The "secret elements" of musical performance |
| dc.title.spa.fl_str_mv |
Los "elementos secretos" de la ejecución musical |
| title |
The "secret elements" of musical performance |
| spellingShingle |
The "secret elements" of musical performance Musical Interpretation Musical Performance Semiotics Gestures Corporeality Performance Interpretación Musical Ejecución Musical Semiótica Gestualidad Corporeidad Performance |
| title_short |
The "secret elements" of musical performance |
| title_full |
The "secret elements" of musical performance |
| title_fullStr |
The "secret elements" of musical performance |
| title_full_unstemmed |
The "secret elements" of musical performance |
| title_sort |
The "secret elements" of musical performance |
| dc.creator.fl_str_mv |
Vinasco Guzmán, Javier Asdrúbal |
| dc.contributor.author.spa.fl_str_mv |
Vinasco Guzmán, Javier Asdrúbal |
| dc.contributor.affiliation.spa.fl_str_mv |
Universidad EAFIT |
| dc.subject.keyword.eng.fl_str_mv |
Musical Interpretation Musical Performance Semiotics Gestures Corporeality Performance |
| topic |
Musical Interpretation Musical Performance Semiotics Gestures Corporeality Performance Interpretación Musical Ejecución Musical Semiótica Gestualidad Corporeidad Performance |
| dc.subject.keyword.spa.fl_str_mv |
Interpretación Musical Ejecución Musical Semiótica Gestualidad Corporeidad Performance |
| description |
During the nineteenth century, the figures of the composer and the musical performer split, giving rise to various positions about the scope of the role of the performer, as well as about the conception of the musical work and the score as its graphic equivalent. This article reviews several of them in which, nevertheless, it finds a common element that all recognize: the “inevitable” contribution of the performer. Contribution that is defined in the terms that establish the so-called cognitive-enactive musical semiotics, gestures and performance studies, to determine the participation of the body, and especially of the corporeality inherent in the execution, as an instance of significance and, to at the same time, vehicle of communication of the musical meaning built. |
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2013 |
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2013-12-07 |
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2019-12-09T15:46:32Z |
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2019-12-09T15:46:32Z |
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2013-12-07 |
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article info:eu-repo/semantics/article publishedVersion info:eu-repo/semantics/publishedVersion |
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2346-4747 2346-4879 |
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http://hdl.handle.net/10784/15289 |
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10.17230/ricercare.2014.1.3 |
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2346-4747 2346-4879 10.17230/ricercare.2014.1.3 |
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http://hdl.handle.net/10784/15289 |
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spa |
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spa |
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Ricercare; Vol 2014, No 1 (2013) |
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http://publicaciones.eafit.edu.co/index.php/ricercare/article/view/2319 |
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Copyright (c) 2013 Javier Asdrúbal Vinasco Guzmán |
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Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees |
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Universidad EAFIT |
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