An Audience’s Subjective Experience of the Freedom of Artistic Expression in Different Dance Forms from the Perspective of the Cultural Psychology of Creativity
Previous studies on different dance forms, including classical ballet, modern ballet and flamenco, show that the objective classification of these forms of dance is subjectively relevant, or in other words, the subjective categorization of dance is based on its formal properties. Based on this stand...
- Autores:
- Tipo de recurso:
- article
- Fecha de publicación:
- 2012
- Institución:
- Pontificia Universidad Javeriana
- Repositorio:
- Repositorio Universidad Javeriana
- Idioma:
- spa
- OAI Identifier:
- oai:repository.javeriana.edu.co:10554/33277
- Acceso en línea:
- http://revistas.javeriana.edu.co/index.php/revPsycho/article/view/1910
http://hdl.handle.net/10554/33277
- Palabra clave:
- experiencia subjetiva, danza, libertad de expresión artística, estudiantes universitarios (observadores), psicología cultural de la creatividad.
Subjective experience, dance, the freedom of artistic expression, university students (audience)
- Rights
- openAccess
- License
- Atribución-NoComercial-SinDerivadas 4.0 Internacional
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An Audience’s Subjective Experience of the Freedom of Artistic Expression in Different Dance Forms from the Perspective of the Cultural Psychology of Creativity La experiencia subjetiva del observador sobre la libertad de expresión artística en las formas diferentes de la danza: un enfoque de la psicología cultural de la creatividad |
| title |
An Audience’s Subjective Experience of the Freedom of Artistic Expression in Different Dance Forms from the Perspective of the Cultural Psychology of Creativity |
| spellingShingle |
An Audience’s Subjective Experience of the Freedom of Artistic Expression in Different Dance Forms from the Perspective of the Cultural Psychology of Creativity Vukadinović, Maja; 1) Higher School of Professional Business Studies, Novi Sad 2) Novi Sad Center for Dance Research and Art of Flamenco - La Sed Gitana experiencia subjetiva, danza, libertad de expresión artística, estudiantes universitarios (observadores), psicología cultural de la creatividad. Subjective experience, dance, the freedom of artistic expression, university students (audience) |
| title_short |
An Audience’s Subjective Experience of the Freedom of Artistic Expression in Different Dance Forms from the Perspective of the Cultural Psychology of Creativity |
| title_full |
An Audience’s Subjective Experience of the Freedom of Artistic Expression in Different Dance Forms from the Perspective of the Cultural Psychology of Creativity |
| title_fullStr |
An Audience’s Subjective Experience of the Freedom of Artistic Expression in Different Dance Forms from the Perspective of the Cultural Psychology of Creativity |
| title_full_unstemmed |
An Audience’s Subjective Experience of the Freedom of Artistic Expression in Different Dance Forms from the Perspective of the Cultural Psychology of Creativity |
| title_sort |
An Audience’s Subjective Experience of the Freedom of Artistic Expression in Different Dance Forms from the Perspective of the Cultural Psychology of Creativity |
| dc.creator.none.fl_str_mv |
Vukadinović, Maja; 1) Higher School of Professional Business Studies, Novi Sad 2) Novi Sad Center for Dance Research and Art of Flamenco - La Sed Gitana |
| author |
Vukadinović, Maja; 1) Higher School of Professional Business Studies, Novi Sad 2) Novi Sad Center for Dance Research and Art of Flamenco - La Sed Gitana |
| author_facet |
Vukadinović, Maja; 1) Higher School of Professional Business Studies, Novi Sad 2) Novi Sad Center for Dance Research and Art of Flamenco - La Sed Gitana |
| author_role |
author |
| dc.contributor.none.fl_str_mv |
null null |
| dc.subject.none.fl_str_mv |
experiencia subjetiva, danza, libertad de expresión artística, estudiantes universitarios (observadores), psicología cultural de la creatividad. Subjective experience, dance, the freedom of artistic expression, university students (audience) |
| topic |
experiencia subjetiva, danza, libertad de expresión artística, estudiantes universitarios (observadores), psicología cultural de la creatividad. Subjective experience, dance, the freedom of artistic expression, university students (audience) |
| description |
Previous studies on different dance forms, including classical ballet, modern ballet and flamenco, show that the objective classification of these forms of dance is subjectively relevant, or in other words, the subjective categorization of dance is based on its formal properties. Based on this standpoint, this study aims to examine the audience’s subjective experience of the freedom of artistic expression in three dance forms: classical ballet, modern ballet and flamenco. This study also aims to place an audience’s subjective experience of the freedom of artistic expression in different dance forms, into the context of the cultural psychology of creativity. Sixty-nine participants assessed three choreographies from each dance form. The participants observed the choreographies audio-visually. The assessment of the freedom of artistic expression included seven-point scales of freedom to use space, use different figures and to express different emotions. The results showed that the dance form effects the assessment of an audience’s subjective experiences (using these 3 criteria) in relation to the freedom of artistic expression. Likewise, Choreography has a marked effect on the assessment of subjective experience within the aforementioned criteria for the freedom of artistic expression within each observed dance form. In conclusion, a dance form determines, by its formal characteristics, not only how certain choreography will be created, but also how an audience will experience the choreography. The various implications of the research results on creativity in the field of dance, and the importance of understanding the complex dialogical connections between particular dance forms, choreographers, choreographies and audience in the context of the cultural psychology of creativity were discussed. |
| publishDate |
2012 |
| dc.date.none.fl_str_mv |
2012-12-18 2018-02-24T16:05:43Z 2018-02-24T16:05:43Z 2020-04-15T18:29:38Z 2020-04-15T18:29:38Z |
| dc.type.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 Artículo de revista http://purl.org/coar/resource_type/c_6501 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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http://revistas.javeriana.edu.co/index.php/revPsycho/article/view/1910 2011-2777 1657-9267 http://hdl.handle.net/10554/33277 |
| url |
http://revistas.javeriana.edu.co/index.php/revPsycho/article/view/1910 http://hdl.handle.net/10554/33277 |
| identifier_str_mv |
2011-2777 1657-9267 |
| dc.language.none.fl_str_mv |
spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
http://revistas.javeriana.edu.co/index.php/revPsycho/article/view/1910/5796 Universitas Psychologica; Vol. 12, Núm. 3 (2013) |
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Atribución-NoComercial-SinDerivadas 4.0 Internacional info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 |
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Atribución-NoComercial-SinDerivadas 4.0 Internacional http://purl.org/coar/access_right/c_abf2 |
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openAccess |
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PDF application/pdf |
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Pontificia Universidad Javeriana |
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Pontificia Universidad Javeriana |
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reponame:Repositorio Universidad Javeriana instname:Pontificia Universidad Javeriana instacron:Pontificia Universidad Javeriana |
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Pontificia Universidad Javeriana |
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An Audience’s Subjective Experience of the Freedom of Artistic Expression in Different Dance Forms from the Perspective of the Cultural Psychology of CreativityLa experiencia subjetiva del observador sobre la libertad de expresión artística en las formas diferentes de la danza: un enfoque de la psicología cultural de la creatividadVukadinović, Maja; 1) Higher School of Professional Business Studies, Novi Sad 2) Novi Sad Center for Dance Research and Art of Flamenco - La Sed Gitanaexperiencia subjetiva, danza, libertad de expresión artística, estudiantes universitarios (observadores), psicología cultural de la creatividad.Subjective experience, dance, the freedom of artistic expression, university students (audience)Previous studies on different dance forms, including classical ballet, modern ballet and flamenco, show that the objective classification of these forms of dance is subjectively relevant, or in other words, the subjective categorization of dance is based on its formal properties. Based on this standpoint, this study aims to examine the audience’s subjective experience of the freedom of artistic expression in three dance forms: classical ballet, modern ballet and flamenco. This study also aims to place an audience’s subjective experience of the freedom of artistic expression in different dance forms, into the context of the cultural psychology of creativity. Sixty-nine participants assessed three choreographies from each dance form. The participants observed the choreographies audio-visually. The assessment of the freedom of artistic expression included seven-point scales of freedom to use space, use different figures and to express different emotions. The results showed that the dance form effects the assessment of an audience’s subjective experiences (using these 3 criteria) in relation to the freedom of artistic expression. Likewise, Choreography has a marked effect on the assessment of subjective experience within the aforementioned criteria for the freedom of artistic expression within each observed dance form. In conclusion, a dance form determines, by its formal characteristics, not only how certain choreography will be created, but also how an audience will experience the choreography. The various implications of the research results on creativity in the field of dance, and the importance of understanding the complex dialogical connections between particular dance forms, choreographers, choreographies and audience in the context of the cultural psychology of creativity were discussed.Este artículo tiene por objeto examinar la experiencia subjetiva del observador de la libertad de expresión artística en tres formas de danza: ballet clásico, ballet moderno y baile flamenco; adicionalmente, pretende situar la investigación en el contexto de la psicología cultural de la creatividad. Los 69 participantes evaluaron tres coreografías para cada forma de danza, observándolas a través de audiovisuales. La estimación de la libertad de expresión artística incluye tres escalas de siete puntos: libertad de usar el espacio, libertad de utilizar diferentes figuras y libertad para expresar sus emociones. Los resultados muestran que la forma de danza tiene un efecto significativo sobre la estimación de la experiencia subjetiva de estos tres criterios y que la coreografía tiene un marcado efecto sobre la estimación de la experiencia subjetiva sobre la libertad de expresión artística dentro de cada forma de la danza observada. Los resultados sugieren que una forma de danza determina, por sus características formales, no solo la coreografía, o cómo se creará, sino también cómo un observador experimentará la coreografía creada. Se discuten las diversas implicaciones de los resultados en la creatividad en el área de la danza, y la importancia de entender las conexiones complejas y dialógicas entre forma particular de danza, coreógrafo, coreografía y observadores, en el contexto de la psicología cultural de la creatividad.Pontificia Universidad Javeriananullnull2018-02-24T16:05:43Z2020-04-15T18:29:38Z2018-02-24T16:05:43Z2020-04-15T18:29:38Z2012-12-18http://purl.org/coar/version/c_970fb48d4fbd8a85Artículo de revistahttp://purl.org/coar/resource_type/c_6501info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPDFapplication/pdfhttp://revistas.javeriana.edu.co/index.php/revPsycho/article/view/19102011-27771657-9267http://hdl.handle.net/10554/33277spahttp://revistas.javeriana.edu.co/index.php/revPsycho/article/view/1910/5796Universitas Psychologica; Vol. 12, Núm. 3 (2013)Atribución-NoComercial-SinDerivadas 4.0 Internacionalinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2reponame:Repositorio Universidad Javerianainstname:Pontificia Universidad Javerianainstacron:Pontificia Universidad Javeriana2023-03-29T19:28:48Z |