Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny

This study analyzes the work of Sor Juana Inés de la Cruz and the testimonial novel of Elena Poniatowska, Hasta no verte Jesús mío (1969), in order to discover the androgynous subjectivity of both the novohispanic poet and the protagonist of Hasta no verte, Jesusa Palancares. The object is not simpl...

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Tipo de recurso:
article
Fecha de publicación:
2008
Institución:
Pontificia Universidad Javeriana
Repositorio:
Repositorio Universidad Javeriana
Idioma:
spa
OAI Identifier:
oai:repository.javeriana.edu.co:10554/24321
Acceso en línea:
http://revistas.javeriana.edu.co/index.php/cma/article/view/6444
http://hdl.handle.net/10554/24321
Palabra clave:
null
Androgyny; Gnosticism; Sor Juana Inés de la Cruz; Jesusa Palancares; Hasta no verte Jesús mío; Spiritualism; Coping mechanisms; Patriarchy; Amazons; Carta atenagórica
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openAccess
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Atribución-NoComercial-SinDerivadas 4.0 Internacional
id JAVERIANA_0b2a1bf52d24e882011a6bb0ced32685
oai_identifier_str oai:repository.javeriana.edu.co:10554/24321
network_acronym_str JAVERIANA
network_name_str Repositorio Universidad Javeriana
repository_id_str
spelling Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgynyEgan, Linda; Pontificia Universidad Javeriana Facultad de Artes Departamento de MúsicanullAndrogyny; Gnosticism; Sor Juana Inés de la Cruz; Jesusa Palancares; Hasta no verte Jesús mío; Spiritualism; Coping mechanisms; Patriarchy; Amazons; Carta atenagóricaThis study analyzes the work of Sor Juana Inés de la Cruz and the testimonial novel of Elena Poniatowska, Hasta no verte Jesús mío (1969), in order to discover the androgynous subjectivity of both the novohispanic poet and the protagonist of Hasta no verte, Jesusa Palancares. The object is not simply an exercise in identifying the androgynous characteristics of one or the other woman but to demonstrate how, in the context of the predatory patriarchies that victimize both of them, each develops the masculine aspects of her being as a strategy to cope with stress and the concrete problems caused by her situation, that of Sor Juana being that she is a disobedient nun and that of Jesusa being that she is abused, Indian, extremely poor and pugnacious. The other strategy that each woman pursues consciously is spiritual in nature: neither Sor Juana, a Catholic nun, nor Jesusa, daughter of a Catholic family, follows the dictates of her traditional religion. That the nun publishes her explorations of hermetic–gnostic beliefs is more scandalous and even dangerous, but in the case of the illiterate Jesusa, it is equally notable that she should seek intellectual studies that will bring her to understand gnostic concepts. Both are finally repudiated by their religious communities, but they accept their punishment without losing their independence of thought nor the liberating condition of their androgyny.Pontificia Universidad Javeriana, Bogotánull2018-02-24T15:05:44Z2020-04-16T13:54:31Z2018-02-24T15:05:44Z2020-04-16T13:54:31Z2008-10-02http://purl.org/coar/version/c_970fb48d4fbd8a85Artículo de revistahttp://purl.org/coar/resource_type/c_6501info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPDFapplication/pdfhttp://revistas.javeriana.edu.co/index.php/cma/article/view/64442215-99591794-6670http://hdl.handle.net/10554/24321spahttp://revistas.javeriana.edu.co/index.php/cma/article/view/6444/5125Journal of Music, Visual and Performing Arts; Vol. 4, Núm. 1-2 (2008); 27-52Cuadernos de Música, Artes Visuales y Artes Escénicas; Vol. 4, Núm. 1-2 (2008); 27-52Atribución-NoComercial-SinDerivadas 4.0 Internacionalinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2reponame:Repositorio Universidad Javerianainstname:Pontificia Universidad Javerianainstacron:Pontificia Universidad Javeriana2023-03-28T21:14:14Z
dc.title.none.fl_str_mv Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny
title Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny
spellingShingle Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny
Egan, Linda; Pontificia Universidad Javeriana Facultad de Artes Departamento de Música
null
Androgyny; Gnosticism; Sor Juana Inés de la Cruz; Jesusa Palancares; Hasta no verte Jesús mío; Spiritualism; Coping mechanisms; Patriarchy; Amazons; Carta atenagórica
title_short Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny
title_full Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny
title_fullStr Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny
title_full_unstemmed Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny
title_sort Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny
dc.creator.none.fl_str_mv Egan, Linda; Pontificia Universidad Javeriana Facultad de Artes Departamento de Música
author Egan, Linda; Pontificia Universidad Javeriana Facultad de Artes Departamento de Música
author_facet Egan, Linda; Pontificia Universidad Javeriana Facultad de Artes Departamento de Música
author_role author
dc.contributor.none.fl_str_mv null
dc.subject.none.fl_str_mv null
Androgyny; Gnosticism; Sor Juana Inés de la Cruz; Jesusa Palancares; Hasta no verte Jesús mío; Spiritualism; Coping mechanisms; Patriarchy; Amazons; Carta atenagórica
topic null
Androgyny; Gnosticism; Sor Juana Inés de la Cruz; Jesusa Palancares; Hasta no verte Jesús mío; Spiritualism; Coping mechanisms; Patriarchy; Amazons; Carta atenagórica
description This study analyzes the work of Sor Juana Inés de la Cruz and the testimonial novel of Elena Poniatowska, Hasta no verte Jesús mío (1969), in order to discover the androgynous subjectivity of both the novohispanic poet and the protagonist of Hasta no verte, Jesusa Palancares. The object is not simply an exercise in identifying the androgynous characteristics of one or the other woman but to demonstrate how, in the context of the predatory patriarchies that victimize both of them, each develops the masculine aspects of her being as a strategy to cope with stress and the concrete problems caused by her situation, that of Sor Juana being that she is a disobedient nun and that of Jesusa being that she is abused, Indian, extremely poor and pugnacious. The other strategy that each woman pursues consciously is spiritual in nature: neither Sor Juana, a Catholic nun, nor Jesusa, daughter of a Catholic family, follows the dictates of her traditional religion. That the nun publishes her explorations of hermetic–gnostic beliefs is more scandalous and even dangerous, but in the case of the illiterate Jesusa, it is equally notable that she should seek intellectual studies that will bring her to understand gnostic concepts. Both are finally repudiated by their religious communities, but they accept their punishment without losing their independence of thought nor the liberating condition of their androgyny.
publishDate 2008
dc.date.none.fl_str_mv 2008-10-02
2018-02-24T15:05:44Z
2018-02-24T15:05:44Z
2020-04-16T13:54:31Z
2020-04-16T13:54:31Z
dc.type.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
Artículo de revista
http://purl.org/coar/resource_type/c_6501
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.javeriana.edu.co/index.php/cma/article/view/6444
2215-9959
1794-6670
http://hdl.handle.net/10554/24321
url http://revistas.javeriana.edu.co/index.php/cma/article/view/6444
http://hdl.handle.net/10554/24321
identifier_str_mv 2215-9959
1794-6670
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv http://revistas.javeriana.edu.co/index.php/cma/article/view/6444/5125
Journal of Music, Visual and Performing Arts; Vol. 4, Núm. 1-2 (2008); 27-52
Cuadernos de Música, Artes Visuales y Artes Escénicas; Vol. 4, Núm. 1-2 (2008); 27-52
dc.rights.none.fl_str_mv Atribución-NoComercial-SinDerivadas 4.0 Internacional
info:eu-repo/semantics/openAccess
http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Atribución-NoComercial-SinDerivadas 4.0 Internacional
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv PDF
application/pdf
dc.publisher.none.fl_str_mv Pontificia Universidad Javeriana, Bogotá
publisher.none.fl_str_mv Pontificia Universidad Javeriana, Bogotá
dc.source.none.fl_str_mv reponame:Repositorio Universidad Javeriana
instname:Pontificia Universidad Javeriana
instacron:Pontificia Universidad Javeriana
instname_str Pontificia Universidad Javeriana
instacron_str Pontificia Universidad Javeriana
institution Pontificia Universidad Javeriana
reponame_str Repositorio Universidad Javeriana
collection Repositorio Universidad Javeriana
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