Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny
This study analyzes the work of Sor Juana Inés de la Cruz and the testimonial novel of Elena Poniatowska, Hasta no verte Jesús mío (1969), in order to discover the androgynous subjectivity of both the novohispanic poet and the protagonist of Hasta no verte, Jesusa Palancares. The object is not simpl...
- Autores:
- Tipo de recurso:
- article
- Fecha de publicación:
- 2008
- Institución:
- Pontificia Universidad Javeriana
- Repositorio:
- Repositorio Universidad Javeriana
- Idioma:
- spa
- OAI Identifier:
- oai:repository.javeriana.edu.co:10554/24321
- Acceso en línea:
- http://revistas.javeriana.edu.co/index.php/cma/article/view/6444
http://hdl.handle.net/10554/24321
- Palabra clave:
- null
Androgyny; Gnosticism; Sor Juana Inés de la Cruz; Jesusa Palancares; Hasta no verte Jesús mío; Spiritualism; Coping mechanisms; Patriarchy; Amazons; Carta atenagórica
- Rights
- openAccess
- License
- Atribución-NoComercial-SinDerivadas 4.0 Internacional
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Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgynyEgan, Linda; Pontificia Universidad Javeriana Facultad de Artes Departamento de MúsicanullAndrogyny; Gnosticism; Sor Juana Inés de la Cruz; Jesusa Palancares; Hasta no verte Jesús mío; Spiritualism; Coping mechanisms; Patriarchy; Amazons; Carta atenagóricaThis study analyzes the work of Sor Juana Inés de la Cruz and the testimonial novel of Elena Poniatowska, Hasta no verte Jesús mío (1969), in order to discover the androgynous subjectivity of both the novohispanic poet and the protagonist of Hasta no verte, Jesusa Palancares. The object is not simply an exercise in identifying the androgynous characteristics of one or the other woman but to demonstrate how, in the context of the predatory patriarchies that victimize both of them, each develops the masculine aspects of her being as a strategy to cope with stress and the concrete problems caused by her situation, that of Sor Juana being that she is a disobedient nun and that of Jesusa being that she is abused, Indian, extremely poor and pugnacious. The other strategy that each woman pursues consciously is spiritual in nature: neither Sor Juana, a Catholic nun, nor Jesusa, daughter of a Catholic family, follows the dictates of her traditional religion. That the nun publishes her explorations of hermetic–gnostic beliefs is more scandalous and even dangerous, but in the case of the illiterate Jesusa, it is equally notable that she should seek intellectual studies that will bring her to understand gnostic concepts. Both are finally repudiated by their religious communities, but they accept their punishment without losing their independence of thought nor the liberating condition of their androgyny.Pontificia Universidad Javeriana, Bogotánull2018-02-24T15:05:44Z2020-04-16T13:54:31Z2018-02-24T15:05:44Z2020-04-16T13:54:31Z2008-10-02http://purl.org/coar/version/c_970fb48d4fbd8a85Artículo de revistahttp://purl.org/coar/resource_type/c_6501info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPDFapplication/pdfhttp://revistas.javeriana.edu.co/index.php/cma/article/view/64442215-99591794-6670http://hdl.handle.net/10554/24321spahttp://revistas.javeriana.edu.co/index.php/cma/article/view/6444/5125Journal of Music, Visual and Performing Arts; Vol. 4, Núm. 1-2 (2008); 27-52Cuadernos de Música, Artes Visuales y Artes Escénicas; Vol. 4, Núm. 1-2 (2008); 27-52Atribución-NoComercial-SinDerivadas 4.0 Internacionalinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2reponame:Repositorio Universidad Javerianainstname:Pontificia Universidad Javerianainstacron:Pontificia Universidad Javeriana2023-03-28T21:14:14Z |
dc.title.none.fl_str_mv |
Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny |
title |
Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny |
spellingShingle |
Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny Egan, Linda; Pontificia Universidad Javeriana Facultad de Artes Departamento de Música null Androgyny; Gnosticism; Sor Juana Inés de la Cruz; Jesusa Palancares; Hasta no verte Jesús mío; Spiritualism; Coping mechanisms; Patriarchy; Amazons; Carta atenagórica |
title_short |
Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny |
title_full |
Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny |
title_fullStr |
Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny |
title_full_unstemmed |
Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny |
title_sort |
Let no one guess her sex: Sor Juana, Jesusa palancares and the mask of androgyny |
dc.creator.none.fl_str_mv |
Egan, Linda; Pontificia Universidad Javeriana Facultad de Artes Departamento de Música |
author |
Egan, Linda; Pontificia Universidad Javeriana Facultad de Artes Departamento de Música |
author_facet |
Egan, Linda; Pontificia Universidad Javeriana Facultad de Artes Departamento de Música |
author_role |
author |
dc.contributor.none.fl_str_mv |
null |
dc.subject.none.fl_str_mv |
null Androgyny; Gnosticism; Sor Juana Inés de la Cruz; Jesusa Palancares; Hasta no verte Jesús mío; Spiritualism; Coping mechanisms; Patriarchy; Amazons; Carta atenagórica |
topic |
null Androgyny; Gnosticism; Sor Juana Inés de la Cruz; Jesusa Palancares; Hasta no verte Jesús mío; Spiritualism; Coping mechanisms; Patriarchy; Amazons; Carta atenagórica |
description |
This study analyzes the work of Sor Juana Inés de la Cruz and the testimonial novel of Elena Poniatowska, Hasta no verte Jesús mío (1969), in order to discover the androgynous subjectivity of both the novohispanic poet and the protagonist of Hasta no verte, Jesusa Palancares. The object is not simply an exercise in identifying the androgynous characteristics of one or the other woman but to demonstrate how, in the context of the predatory patriarchies that victimize both of them, each develops the masculine aspects of her being as a strategy to cope with stress and the concrete problems caused by her situation, that of Sor Juana being that she is a disobedient nun and that of Jesusa being that she is abused, Indian, extremely poor and pugnacious. The other strategy that each woman pursues consciously is spiritual in nature: neither Sor Juana, a Catholic nun, nor Jesusa, daughter of a Catholic family, follows the dictates of her traditional religion. That the nun publishes her explorations of hermetic–gnostic beliefs is more scandalous and even dangerous, but in the case of the illiterate Jesusa, it is equally notable that she should seek intellectual studies that will bring her to understand gnostic concepts. Both are finally repudiated by their religious communities, but they accept their punishment without losing their independence of thought nor the liberating condition of their androgyny. |
publishDate |
2008 |
dc.date.none.fl_str_mv |
2008-10-02 2018-02-24T15:05:44Z 2018-02-24T15:05:44Z 2020-04-16T13:54:31Z 2020-04-16T13:54:31Z |
dc.type.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 Artículo de revista http://purl.org/coar/resource_type/c_6501 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://revistas.javeriana.edu.co/index.php/cma/article/view/6444 2215-9959 1794-6670 http://hdl.handle.net/10554/24321 |
url |
http://revistas.javeriana.edu.co/index.php/cma/article/view/6444 http://hdl.handle.net/10554/24321 |
identifier_str_mv |
2215-9959 1794-6670 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
http://revistas.javeriana.edu.co/index.php/cma/article/view/6444/5125 Journal of Music, Visual and Performing Arts; Vol. 4, Núm. 1-2 (2008); 27-52 Cuadernos de Música, Artes Visuales y Artes Escénicas; Vol. 4, Núm. 1-2 (2008); 27-52 |
dc.rights.none.fl_str_mv |
Atribución-NoComercial-SinDerivadas 4.0 Internacional info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
Atribución-NoComercial-SinDerivadas 4.0 Internacional http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
PDF application/pdf |
dc.publisher.none.fl_str_mv |
Pontificia Universidad Javeriana, Bogotá |
publisher.none.fl_str_mv |
Pontificia Universidad Javeriana, Bogotá |
dc.source.none.fl_str_mv |
reponame:Repositorio Universidad Javeriana instname:Pontificia Universidad Javeriana instacron:Pontificia Universidad Javeriana |
instname_str |
Pontificia Universidad Javeriana |
instacron_str |
Pontificia Universidad Javeriana |
institution |
Pontificia Universidad Javeriana |
reponame_str |
Repositorio Universidad Javeriana |
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Repositorio Universidad Javeriana |
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1803712859267399680 |