Integrating Constraints and Concurrent Objects in MusicalApplications: A Calculus and its Visual Language

We propose { PiCO}, a calculus integrating concurrent objects and constraints, as a base for music composition tools. In contrast with calculi such as NiehrenMueller:Free, milner.parrow.ea:calculus-mobile or TyCO vasconcelos:typed-concurrent, both constraints and objects are primitive notions in { P...

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Autores:
Tamura Morimitsu, Gabriel
Assayag, Gerard
Díaz, Juan Francisco
Valencia, Frank
Quesada, Luis O.
Alvarez,Gloria
Rueda, Camilo
Tipo de recurso:
Article of investigation
Fecha de publicación:
2001
Institución:
Universidad ICESI
Repositorio:
Repositorio ICESI
Idioma:
eng
OAI Identifier:
oai:repository.icesi.edu.co:10906/79574
Acceso en línea:
http://link.springer.com/article/10.1023%2FA%3A1009849309451
http://dl.acm.org/citation.cfm?id=593237.593329
http://hdl.handle.net/10906/79574
http://dx.doi.org/10.1023/A:1009849309451
Palabra clave:
Ingeniería de sistemas y comunicaciones
Aplicaciones musicales
Programación orientada a objetos (Computadores)
Composición musical por computador
Systems engineering
Rights
openAccess
License
https://creativecommons.org/licenses/by-nc-nd/4.0/
Description
Summary:We propose { PiCO}, a calculus integrating concurrent objects and constraints, as a base for music composition tools. In contrast with calculi such as NiehrenMueller:Free, milner.parrow.ea:calculus-mobile or TyCO vasconcelos:typed-concurrent, both constraints and objects are primitive notions in { PiCO}. In { PiCO} a base object model is extended with constraints by orthogonally adding the notion of constraint system found in the \rho-calculus OzCalculus. Concurrent processes make use of a constraint store to synchronize communications either via the ask and tell operations of the constraint model or the standard message-passing mechanism of the object model. A message delegation mechanism built into the calculus allows encoding of general forms of inheritance. This paper includes encodings in { PiCO} of the concepts of class and sub-class. These allow us to represent complex partially defined objects such as musical structures in a compact way. We illustrate the transparent interaction of constraints and objects by a musical example involving harmonic and temporal relations. The relationship between Cordial, a visual language for music composition applications, and its underlying model { PiCO} is described.