Integrating Constraints and Concurrent Objects in MusicalApplications: A Calculus and its Visual Language
We propose { PiCO}, a calculus integrating concurrent objects and constraints, as a base for music composition tools. In contrast with calculi such as NiehrenMueller:Free, milner.parrow.ea:calculus-mobile or TyCO vasconcelos:typed-concurrent, both constraints and objects are primitive notions in { P...
- Autores:
-
Tamura Morimitsu, Gabriel
Assayag, Gerard
Díaz, Juan Francisco
Valencia, Frank
Quesada, Luis O.
Alvarez,Gloria
Rueda, Camilo
- Tipo de recurso:
- Article of investigation
- Fecha de publicación:
- 2001
- Institución:
- Universidad ICESI
- Repositorio:
- Repositorio ICESI
- Idioma:
- eng
- OAI Identifier:
- oai:repository.icesi.edu.co:10906/79574
- Acceso en línea:
- http://link.springer.com/article/10.1023%2FA%3A1009849309451
http://dl.acm.org/citation.cfm?id=593237.593329
http://hdl.handle.net/10906/79574
http://dx.doi.org/10.1023/A:1009849309451
- Palabra clave:
- Ingeniería de sistemas y comunicaciones
Aplicaciones musicales
Programación orientada a objetos (Computadores)
Composición musical por computador
Systems engineering
- Rights
- openAccess
- License
- https://creativecommons.org/licenses/by-nc-nd/4.0/
Summary: | We propose { PiCO}, a calculus integrating concurrent objects and constraints, as a base for music composition tools. In contrast with calculi such as NiehrenMueller:Free, milner.parrow.ea:calculus-mobile or TyCO vasconcelos:typed-concurrent, both constraints and objects are primitive notions in { PiCO}. In { PiCO} a base object model is extended with constraints by orthogonally adding the notion of constraint system found in the \rho-calculus OzCalculus. Concurrent processes make use of a constraint store to synchronize communications either via the ask and tell operations of the constraint model or the standard message-passing mechanism of the object model. A message delegation mechanism built into the calculus allows encoding of general forms of inheritance. This paper includes encodings in { PiCO} of the concepts of class and sub-class. These allow us to represent complex partially defined objects such as musical structures in a compact way. We illustrate the transparent interaction of constraints and objects by a musical example involving harmonic and temporal relations. The relationship between Cordial, a visual language for music composition applications, and its underlying model { PiCO} is described. |
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