Usage of adaptive features in sound synthesis GUIs
This paper describes the importance of the GUIs (Graphical User Interfaces) to the control of digital sound synthesis. Is intended to highlight the cognitive problem present in synthesizers as a consequence of the usage of technical acoustical language on their interfaces. Psychoacoustic scientists...
- Autores:
-
Sánchez, David
Gomez Marin, Daniel
nd Latin American Symposium on Circuits and Systems, LASCAS
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_c94f
- Fecha de publicación:
- 2011
- Institución:
- Universidad ICESI
- Repositorio:
- Repositorio ICESI
- Idioma:
- eng
- OAI Identifier:
- oai:repository.icesi.edu.co:10906/81998
- Palabra clave:
- Diseño industrial
Industrial design
Síntesis
Señales de audio
Sistemas de control
- Rights
- openAccess
- License
- https://creativecommons.org/licenses/by-nc-nd/4.0/
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|
dc.title.spa.fl_str_mv |
Usage of adaptive features in sound synthesis GUIs |
title |
Usage of adaptive features in sound synthesis GUIs |
spellingShingle |
Usage of adaptive features in sound synthesis GUIs Diseño industrial Industrial design Síntesis Señales de audio Sistemas de control |
title_short |
Usage of adaptive features in sound synthesis GUIs |
title_full |
Usage of adaptive features in sound synthesis GUIs |
title_fullStr |
Usage of adaptive features in sound synthesis GUIs |
title_full_unstemmed |
Usage of adaptive features in sound synthesis GUIs |
title_sort |
Usage of adaptive features in sound synthesis GUIs |
dc.creator.fl_str_mv |
Sánchez, David Gomez Marin, Daniel nd Latin American Symposium on Circuits and Systems, LASCAS |
dc.contributor.author.spa.fl_str_mv |
Sánchez, David Gomez Marin, Daniel nd Latin American Symposium on Circuits and Systems, LASCAS |
dc.subject.spa.fl_str_mv |
Diseño industrial Industrial design Síntesis Señales de audio Sistemas de control |
topic |
Diseño industrial Industrial design Síntesis Señales de audio Sistemas de control |
description |
This paper describes the importance of the GUIs (Graphical User Interfaces) to the control of digital sound synthesis. Is intended to highlight the cognitive problem present in synthesizers as a consequence of the usage of technical acoustical language on their interfaces. Psychoacoustic scientists have tried to overcome this cognitive gap developing a unified model of perception where a musician is able to interact with sound using a perceptual interface rather than a scientific one. As these efforts have not currently reached their goal, different approaches are addressed to design interfaces that adapt to the user, rather than the user adapting to them |
publishDate |
2011 |
dc.date.issued.none.fl_str_mv |
2011-04-15 |
dc.date.accessioned.none.fl_str_mv |
2017-08-26T04:39:35Z |
dc.date.available.none.fl_str_mv |
2017-08-26T04:39:35Z |
dc.type.spa.fl_str_mv |
info:eu-repo/semantics/conferenceObject |
dc.type.coar.none.fl_str_mv |
http://purl.org/coar/resource_type/c_c94f |
dc.type.local.spa.fl_str_mv |
Documento de conferencia |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
format |
http://purl.org/coar/resource_type/c_c94f |
status_str |
publishedVersion |
dc.identifier.isbn.none.fl_str_mv |
9781424494859 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10906/81998 |
dc.identifier.doi.none.fl_str_mv |
http://dx.doi.org/10.1109/LASCAS.2011.5750319 |
dc.identifier.instname.none.fl_str_mv |
instname: Universidad Icesi |
dc.identifier.reponame.none.fl_str_mv |
reponame: Biblioteca Digital |
dc.identifier.repourl.none.fl_str_mv |
repourl: https://repository.icesi.edu.co/ |
identifier_str_mv |
9781424494859 instname: Universidad Icesi reponame: Biblioteca Digital repourl: https://repository.icesi.edu.co/ |
url |
http://hdl.handle.net/10906/81998 http://dx.doi.org/10.1109/LASCAS.2011.5750319 |
dc.language.iso.spa.fl_str_mv |
eng |
language |
eng |
dc.relation.ispartof.none.fl_str_mv |
2nd Latin American Symposium on Circuits and Systems, LASCAS, 23 February 20112 |
dc.rights.uri.none.fl_str_mv |
https://creativecommons.org/licenses/by-nc-nd/4.0/ |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
dc.rights.license.none.fl_str_mv |
Atribuci�n-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0) |
dc.rights.coar.none.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-nd/4.0/ Atribuci�n-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0) http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.extent.spa.fl_str_mv |
4 páginas |
dc.format.medium.spa.fl_str_mv |
Digital |
dc.coverage.spatial.spa.fl_str_mv |
Bogotá de Lat: 04 15 00 N degrees minutes Lat: 4.2500 decimal degrees Long: 074 11 00 W degrees minutes Long: -74.1833 decimal degrees |
dc.publisher.spa.fl_str_mv |
IEEE |
dc.publisher.faculty.spa.fl_str_mv |
Facultad de Ingeniería |
dc.publisher.program.spa.fl_str_mv |
Diseño de Medios Interactivos |
dc.publisher.department.spa.fl_str_mv |
Departamento de Diseño |
dc.publisher.place.spa.fl_str_mv |
Bogotá |
institution |
Universidad ICESI |
bitstream.url.fl_str_mv |
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spelling |
Sánchez, DavidGomez Marin, Danielnd Latin American Symposium on Circuits and Systems, LASCASBogotá de Lat: 04 15 00 N degrees minutes Lat: 4.2500 decimal degrees Long: 074 11 00 W degrees minutes Long: -74.1833 decimal degrees2017-08-26T04:39:35Z2017-08-26T04:39:35Z2011-04-159781424494859http://hdl.handle.net/10906/81998http://dx.doi.org/10.1109/LASCAS.2011.5750319instname: Universidad Icesireponame: Biblioteca Digitalrepourl: https://repository.icesi.edu.co/This paper describes the importance of the GUIs (Graphical User Interfaces) to the control of digital sound synthesis. Is intended to highlight the cognitive problem present in synthesizers as a consequence of the usage of technical acoustical language on their interfaces. Psychoacoustic scientists have tried to overcome this cognitive gap developing a unified model of perception where a musician is able to interact with sound using a perceptual interface rather than a scientific one. As these efforts have not currently reached their goal, different approaches are addressed to design interfaces that adapt to the user, rather than the user adapting to them4 páginasDigitalengIEEEFacultad de IngenieríaDiseño de Medios InteractivosDepartamento de DiseñoBogotá2nd Latin American Symposium on Circuits and Systems, LASCAS, 23 February 20112EL AUTOR, expresa que la obra objeto de la presente autorización es original y la elaboró sin quebrantar ni suplantar los derechos de autor de terceros, y de tal forma, la obra es de su exclusiva autoría y tiene la titularidad sobre éste. PARÁGRAFO: en caso de queja o acción por parte de un tercero referente a los derechos de autor sobre el artículo, folleto o libro en cuestión, EL AUTOR, asumirá la responsabilidad total, y saldrá en defensa de los derechos aquí autorizados; para todos los efectos, la Universidad Icesi actúa como un tercero de buena fe. Esta autorización, permite a la Universidad Icesi, de forma indefinida, para que en los términos establecidos en la Ley 23 de 1982, la Ley 44 de 1993, leyes y jurisprudencia vigente al respecto, haga publicación de este con fines educativos Todo persona que consulte ya sea la biblioteca o en medio electrónico podrá copiar apartes del texto citando siempre la fuentes, es decir el título del trabajo y el autor.https://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessAtribuci�n-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)http://purl.org/coar/access_right/c_abf2Diseño industrialIndustrial designSíntesisSeñales de audioSistemas de controlUsage of adaptive features in sound synthesis GUIsinfo:eu-repo/semantics/conferenceObjecthttp://purl.org/coar/resource_type/c_c94fDocumento de conferenciainfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85Comunidad Universidad Icesi – InvestigadoresTEXTdocumento.html.txtdocumento.html.txttext/plain73http://repository.icesi.edu.co/biblioteca_digital/bitstream/10906/81998/3/documento.html.txt2f71a38736e7280ed14807d9783d1d22MD53LICENSElicense.txtlicense.txttext/plain1748http://repository.icesi.edu.co/biblioteca_digital/bitstream/10906/81998/2/license.txt8a4605be74aa9ea9d79846c1fba20a33MD52ORIGINALdocumento.htmldocumento.htmltext/html497http://repository.icesi.edu.co/biblioteca_digital/bitstream/10906/81998/1/documento.htmlcd337a4147760ec9ee9185042e1cb082MD5110906/81998oai:repository.icesi.edu.co:10906/819982020-03-17 17:10:12.886Biblioteca Digital - Universidad icesicdcriollo@icesi.edu.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 |