Usage of adaptive features in sound synthesis GUIs
This paper describes the importance of the GUIs (Graphical User Interfaces) to the control of digital sound synthesis. Is intended to highlight the cognitive problem present in synthesizers as a consequence of the usage of technical acoustical language on their interfaces. Psychoacoustic scientists...
- Autores:
-
Sánchez, David
Gomez Marin, Daniel
nd Latin American Symposium on Circuits and Systems, LASCAS
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_c94f
- Fecha de publicación:
- 2011
- Institución:
- Universidad ICESI
- Repositorio:
- Repositorio ICESI
- Idioma:
- eng
- OAI Identifier:
- oai:repository.icesi.edu.co:10906/81998
- Palabra clave:
- Diseño industrial
Industrial design
Síntesis
Señales de audio
Sistemas de control
- Rights
- openAccess
- License
- https://creativecommons.org/licenses/by-nc-nd/4.0/
| Summary: | This paper describes the importance of the GUIs (Graphical User Interfaces) to the control of digital sound synthesis. Is intended to highlight the cognitive problem present in synthesizers as a consequence of the usage of technical acoustical language on their interfaces. Psychoacoustic scientists have tried to overcome this cognitive gap developing a unified model of perception where a musician is able to interact with sound using a perceptual interface rather than a scientific one. As these efforts have not currently reached their goal, different approaches are addressed to design interfaces that adapt to the user, rather than the user adapting to them |
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