Insurgent quavers: Uses and functions of FARC-EP music during the armed conflict in Colombia
This article analyzes the uses and functions that the music produced by the FARC-EP had for the organization and its political-military work during the armed conflict in Colombia. Based on the review of primary and secondary sources, participant observation in 6 'fariano concerts' and 14 i...
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2020
- Institución:
- Universidad del Rosario
- Repositorio:
- Repositorio EdocUR - U. Rosario
- Idioma:
- eng
- OAI Identifier:
- oai:repository.urosario.edu.co:10336/22206
- Acceso en línea:
- https://repository.urosario.edu.co/handle/10336/22206
- Palabra clave:
- Armed conflict
Cohesion
Colombia
FARC-EP
Identity
Motivation
Music
- Rights
- License
- Abierto (Texto Completo)
| Summary: | This article analyzes the uses and functions that the music produced by the FARC-EP had for the organization and its political-military work during the armed conflict in Colombia. Based on the review of primary and secondary sources, participant observation in 6 'fariano concerts' and 14 interviews, it is affirmed that Fariano music -as sound and practice- fulfilled fundamental role to strengthen the social and ideological cohesion of the FARC-EP, to motivate and inspire its members and to sustain a collective identity both in the countryside and in the cities. Regarding the political work of the insurgency with civil society, music was used to entertain, generate sympathy and add solidarity. © 2020 Ariadna Ediciones. All rights reserved. |
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