Language innovations in documentary 33

The documentary 33 was amply study for researches on the audiovisual camp, but still not receive as philosophy of analysis one mix between the audiovisual narrative and transmedia storytelling. This article present, from previous study about the theme, results of one detailed analysis about the mix...

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Tipo de recurso:
Fecha de publicación:
2013
Institución:
Universidad del Rosario
Repositorio:
Repositorio EdocUR - U. Rosario
Idioma:
eng
OAI Identifier:
oai:repository.urosario.edu.co:10336/22708
Acceso en línea:
https://repository.urosario.edu.co/handle/10336/22708
Palabra clave:
Audiovisual narrative
Communication
Documentary
Transmedia storytelling
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License
Abierto (Texto Completo)
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dc.title.spa.fl_str_mv Language innovations in documentary 33
dc.title.TranslatedTitle.por.fl_str_mv Inovações de linguagem no documental 33
title Language innovations in documentary 33
spellingShingle Language innovations in documentary 33
Audiovisual narrative
Communication
Documentary
Transmedia storytelling
title_short Language innovations in documentary 33
title_full Language innovations in documentary 33
title_fullStr Language innovations in documentary 33
title_full_unstemmed Language innovations in documentary 33
title_sort Language innovations in documentary 33
dc.subject.keyword.spa.fl_str_mv Audiovisual narrative
Communication
Documentary
Transmedia storytelling
topic Audiovisual narrative
Communication
Documentary
Transmedia storytelling
description The documentary 33 was amply study for researches on the audiovisual camp, but still not receive as philosophy of analysis one mix between the audiovisual narrative and transmedia storytelling. This article present, from previous study about the theme, results of one detailed analysis about the mix of two narratives in the film 33, by Kiko Goifman. Expected, from this article, that adopts as methodologies the film analysis and qualitative study, present subsidies for better comprehension not only about the film, but also about the mix of two narratives, fundamental concern for the contemporary audiovisual communication. Copyright © 2013 (Eugene Loos).
publishDate 2013
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