Language innovations in documentary 33
The documentary 33 was amply study for researches on the audiovisual camp, but still not receive as philosophy of analysis one mix between the audiovisual narrative and transmedia storytelling. This article present, from previous study about the theme, results of one detailed analysis about the mix...
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2013
- Institución:
- Universidad del Rosario
- Repositorio:
- Repositorio EdocUR - U. Rosario
- Idioma:
- eng
- OAI Identifier:
- oai:repository.urosario.edu.co:10336/22708
- Acceso en línea:
- https://repository.urosario.edu.co/handle/10336/22708
- Palabra clave:
- Audiovisual narrative
Communication
Documentary
Transmedia storytelling
- Rights
- License
- Abierto (Texto Completo)
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dc.title.spa.fl_str_mv |
Language innovations in documentary 33 |
dc.title.TranslatedTitle.por.fl_str_mv |
Inovações de linguagem no documental 33 |
title |
Language innovations in documentary 33 |
spellingShingle |
Language innovations in documentary 33 Audiovisual narrative Communication Documentary Transmedia storytelling |
title_short |
Language innovations in documentary 33 |
title_full |
Language innovations in documentary 33 |
title_fullStr |
Language innovations in documentary 33 |
title_full_unstemmed |
Language innovations in documentary 33 |
title_sort |
Language innovations in documentary 33 |
dc.subject.keyword.spa.fl_str_mv |
Audiovisual narrative Communication Documentary Transmedia storytelling |
topic |
Audiovisual narrative Communication Documentary Transmedia storytelling |
description |
The documentary 33 was amply study for researches on the audiovisual camp, but still not receive as philosophy of analysis one mix between the audiovisual narrative and transmedia storytelling. This article present, from previous study about the theme, results of one detailed analysis about the mix of two narratives in the film 33, by Kiko Goifman. Expected, from this article, that adopts as methodologies the film analysis and qualitative study, present subsidies for better comprehension not only about the film, but also about the mix of two narratives, fundamental concern for the contemporary audiovisual communication. Copyright © 2013 (Eugene Loos). |
publishDate |
2013 |
dc.date.created.spa.fl_str_mv |
2013 |
dc.date.accessioned.none.fl_str_mv |
2020-05-25T23:57:37Z |
dc.date.available.none.fl_str_mv |
2020-05-25T23:57:37Z |
dc.type.eng.fl_str_mv |
article |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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http://purl.org/coar/resource_type/c_6501 |
dc.type.spa.spa.fl_str_mv |
Artículo |
dc.identifier.issn.none.fl_str_mv |
16465954 08748810 |
dc.identifier.uri.none.fl_str_mv |
https://repository.urosario.edu.co/handle/10336/22708 |
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16465954 08748810 |
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https://repository.urosario.edu.co/handle/10336/22708 |
dc.language.iso.spa.fl_str_mv |
eng |
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eng |
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99 |
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No. 1 |
dc.relation.citationStartPage.none.fl_str_mv |
85 |
dc.relation.citationTitle.none.fl_str_mv |
Observatorio |
dc.relation.citationVolume.none.fl_str_mv |
Vol. 7 |
dc.relation.ispartof.spa.fl_str_mv |
Observatorio, ISSN:16465954, 08748810, Vol.7, No.1 (2013); pp. 85-99 |
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https://www.scopus.com/inward/record.uri?eid=2-s2.0-84875324204&partnerID=40&md5=ff9966117af7cf35db9a4216227f6d1f |
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Abierto (Texto Completo) |
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Abierto (Texto Completo) http://purl.org/coar/access_right/c_abf2 |
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