Experiencias emocionales de los estudiantes de Teatro Musical
Las emociones son respuestas naturales de los seres humanos, que se traducen en reacciones fisiológicas, cognitivas y conductuales. La actuación es una actividad que supone demandas emocionales durante todo el proceso artístico. Se desconocen las reacciones emocionales que tienen lugar durante este...
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2024
- Institución:
- Universidad del Rosario
- Repositorio:
- Repositorio EdocUR - U. Rosario
- Idioma:
- spa
- OAI Identifier:
- oai:repository.urosario.edu.co:10336/42464
- Acceso en línea:
- https://doi.org/10.48713/10336_42464
https://repository.urosario.edu.co/handle/10336/42464
- Palabra clave:
- Emociones
Regulacion emocional
Teatro musical
Audicion
Puesta en escena
Emotions
Emotional regulation
Musical Theatre
Auditions
Performance
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- License
- Attribution 4.0 International
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dc.title.none.fl_str_mv |
Experiencias emocionales de los estudiantes de Teatro Musical |
dc.title.TranslatedTitle.none.fl_str_mv |
Emotional experiences of Musical Theater students |
title |
Experiencias emocionales de los estudiantes de Teatro Musical |
spellingShingle |
Experiencias emocionales de los estudiantes de Teatro Musical Emociones Regulacion emocional Teatro musical Audicion Puesta en escena Emotions Emotional regulation Musical Theatre Auditions Performance |
title_short |
Experiencias emocionales de los estudiantes de Teatro Musical |
title_full |
Experiencias emocionales de los estudiantes de Teatro Musical |
title_fullStr |
Experiencias emocionales de los estudiantes de Teatro Musical |
title_full_unstemmed |
Experiencias emocionales de los estudiantes de Teatro Musical |
title_sort |
Experiencias emocionales de los estudiantes de Teatro Musical |
dc.contributor.advisor.none.fl_str_mv |
Lucena Ramírez, Julio Cesar Palacios Espinosa, Ximena |
dc.subject.none.fl_str_mv |
Emociones Regulacion emocional Teatro musical Audicion Puesta en escena |
topic |
Emociones Regulacion emocional Teatro musical Audicion Puesta en escena Emotions Emotional regulation Musical Theatre Auditions Performance |
dc.subject.keyword.none.fl_str_mv |
Emotions Emotional regulation Musical Theatre Auditions Performance |
description |
Las emociones son respuestas naturales de los seres humanos, que se traducen en reacciones fisiológicas, cognitivas y conductuales. La actuación es una actividad que supone demandas emocionales durante todo el proceso artístico. Se desconocen las reacciones emocionales que tienen lugar durante este proceso. Este estudio exploratorio, transversal, tuvo como objetivo explorar las respuestas emocionales y las estrategias de afrontamiento, en los estudiantes de Teatro Musical, durante las distintas etapas del proceso artístico (preparación de la audición, audición, montaje y puesta en escena) con el propósito de realizar recomendaciones dirigidas al desarrollo e incorporación de competencias de gestión emocional durante la carrera. Participaron 50 estudiantes de Teatro Musical, seleccionados por conveniencia. Se encontró predominio de emociones positivas durante el proceso artístico, alta prevalencia e intensidad de estrés y otras emociones dentro del espectro de la ansiedad. Se realizan recomendaciones para optimizar la gestión emocional de los estudiantes y se discuten los resultados. |
publishDate |
2024 |
dc.date.accessioned.none.fl_str_mv |
2024-04-18T22:23:33Z |
dc.date.available.none.fl_str_mv |
2024-04-18T22:23:33Z |
dc.date.created.none.fl_str_mv |
2024-02-05 |
dc.type.none.fl_str_mv |
bachelorThesis |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_7a1f |
dc.type.document.none.fl_str_mv |
Trabajo de grado |
dc.type.spa.none.fl_str_mv |
Trabajo de grado |
dc.identifier.doi.none.fl_str_mv |
https://doi.org/10.48713/10336_42464 |
dc.identifier.uri.none.fl_str_mv |
https://repository.urosario.edu.co/handle/10336/42464 |
url |
https://doi.org/10.48713/10336_42464 https://repository.urosario.edu.co/handle/10336/42464 |
dc.language.iso.none.fl_str_mv |
spa |
language |
spa |
dc.rights.*.fl_str_mv |
Attribution 4.0 International |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.acceso.none.fl_str_mv |
Abierto (Texto Completo) |
dc.rights.uri.*.fl_str_mv |
http://creativecommons.org/licenses/by/4.0/ |
rights_invalid_str_mv |
Attribution 4.0 International Abierto (Texto Completo) http://creativecommons.org/licenses/by/4.0/ http://purl.org/coar/access_right/c_abf2 |
dc.format.extent.none.fl_str_mv |
113 pp |
dc.format.mimetype.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidad del Rosario |
dc.publisher.department.none.fl_str_mv |
Facultad de Creación |
dc.publisher.program.none.fl_str_mv |
Teatro Musical |
publisher.none.fl_str_mv |
Universidad del Rosario |
institution |
Universidad del Rosario |
dc.source.bibliographicCitation.none.fl_str_mv |
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Lucena Ramírez, Julio Cesar43d9756c-5d25-48e1-9abc-29363f7d3fac-1Palacios Espinosa, Ximena39818264600Ruíz Toledo, AnamaríaMaestra/o en Teatro MusicalPregradoFull time8e200b7a-048b-4190-8153-00128204e3ba2024-04-18T22:23:33Z2024-04-18T22:23:33Z2024-02-05Las emociones son respuestas naturales de los seres humanos, que se traducen en reacciones fisiológicas, cognitivas y conductuales. La actuación es una actividad que supone demandas emocionales durante todo el proceso artístico. Se desconocen las reacciones emocionales que tienen lugar durante este proceso. Este estudio exploratorio, transversal, tuvo como objetivo explorar las respuestas emocionales y las estrategias de afrontamiento, en los estudiantes de Teatro Musical, durante las distintas etapas del proceso artístico (preparación de la audición, audición, montaje y puesta en escena) con el propósito de realizar recomendaciones dirigidas al desarrollo e incorporación de competencias de gestión emocional durante la carrera. Participaron 50 estudiantes de Teatro Musical, seleccionados por conveniencia. Se encontró predominio de emociones positivas durante el proceso artístico, alta prevalencia e intensidad de estrés y otras emociones dentro del espectro de la ansiedad. Se realizan recomendaciones para optimizar la gestión emocional de los estudiantes y se discuten los resultados.Emotions are natural responses in humans that are projected as physiological, cognitive, and behavioral reactions. Acting involves emptional reactions throughout the artistic process, yet specific emotional reactions within this process remain unknown. This cross-sectional exploratory study aimed to investigate emotional responses and coping strategies in Musical Theatre students during different stages of the artistic process (preparation for auditions, auditions, staging, and performances) to provide recommendations for developing and integrating emotional management skills during their studies. The study involved 50 arbitrarily selected Musical Theatre students. Findings indicated a predominance of positive emotions throughout the artistic process, along with a high prevalence and intensity of stress and other emotions falling within the anxiety spectrum. Recommendations are made to optimize emotional management for students, and the results are discussed as follows.113 ppapplication/pdfhttps://doi.org/10.48713/10336_42464https://repository.urosario.edu.co/handle/10336/42464spaUniversidad del RosarioFacultad de CreaciónTeatro MusicalAttribution 4.0 InternationalAbierto (Texto Completo)EL AUTOR, manifiesta que la obra objeto de la presente autorización es original y la realizó sin violar o usurpar derechos de autor de terceros, por lo tanto la obra es de exclusiva autoría y tiene la titularidad sobre la misma. PARGRAFO: En caso de presentarse cualquier reclamación o acción por parte de un tercero en cuanto a los derechos de autor sobre la obra en cuestión, EL AUTOR, asumirá toda la responsabilidad, y saldrá en defensa de los derechos aquí autorizados; para todos los efectos la universidad actúa como un tercero de buena fe. EL AUTOR, autoriza a LA UNIVERSIDAD DEL ROSARIO, para que en los términos establecidos en la Ley 23 de 1982, Ley 44 de 1993, Decisión andina 351 de 1993, Decreto 460 de 1995 y demás normas generales sobre la materia, utilice y use la obra objeto de la presente autorización. -------------------------------------- POLITICA DE TRATAMIENTO DE DATOS PERSONALES. Declaro que autorizo previa y de forma informada el tratamiento de mis datos personales por parte de LA UNIVERSIDAD DEL ROSARIO para fines académicos y en aplicación de convenios con terceros o servicios conexos con actividades propias de la academia, con estricto cumplimiento de los principios de ley. Para el correcto ejercicio de mi derecho de habeas data cuento con la cuenta de correo habeasdata@urosario.edu.co, donde previa identificación podré solicitar la consulta, corrección y supresión de mis datos.http://creativecommons.org/licenses/by/4.0/http://purl.org/coar/access_right/c_abf2Acocella, J. (2015). I Can’t Go On! What’s behind stage fright? The New Yorker. https://www.crisiscommunications.com/i-cant-go-on-whats-behind-stagefright/Alberts, H. J., Schneider, F., & Martijn, C. (2012). Dealing efficiently with emotions: Acceptance-based coping with negative emotions requires fewer resources than suppression. Cognition & Emotion, 26(5), 863-870.10.1080/02699931.2011.625402Aldao, A. (2013). The future of emotion regulation research: Capturing context. Perspectives on Psychological Science, 8(2), 155–172.10.1177/1745691612459518Antonakis, J., & Dalgas, O. (2009). Predicting elections: Child 's play!. Science, 323(5918),1183-1183.10.1126/science.1167748Arkowitz, H., & Westra, H. 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