‘Mujeres mola’ o la máquina de imágenes míticas

This article deals with the mole as a commodity, a work of art, a ritual object and a form of visual writing -or figural, as Lyotard would say-. The first part portrays how the mola became a vestimentary object of many uses and meanings within Kuna tradition. The second part develops the artistic cr...

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Autores:
Tipo de recurso:
Fecha de publicación:
2013
Institución:
Universidad del Rosario
Repositorio:
Repositorio EdocUR - U. Rosario
Idioma:
spa
OAI Identifier:
oai:repository.urosario.edu.co:10336/23985
Acceso en línea:
https://repository.urosario.edu.co/handle/10336/23985
Palabra clave:
Female Art
General Economy
Kuna Aesthetic
Mola
Myth and Writing
Rights
License
Abierto (Texto Completo)
Description
Summary:This article deals with the mole as a commodity, a work of art, a ritual object and a form of visual writing -or figural, as Lyotard would say-. The first part portrays how the mola became a vestimentary object of many uses and meanings within Kuna tradition. The second part develops the artistic criteria: design, color, composition, performativity, which characterize the mole. Then, this article discusses some of the mythic and ritual dimensions that characterize the mole as an object and as a way of 'writing'. Finally, it addresses the commercial nature of the mola as a case of what Bataille calls general economy, recognizing the mole as a plane of expression that intertwines with several aspects of Kuna life. In this fusion of artistic practices, symbolic structures and practical interests highlights how the fact of 'sewing molas' has feminized Kuna culture considering the global economy of the exotic.